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The Emily and Jerry Spiegel Collection

After more than 100 Post-War and Contemporary works owned by the visionary New York collectors were auctioned in May, photographs by leading artists such as Edward Steichen, Man Ray, Paul Outerbridge, Paul Strand and Diane Arbus are to be offered in October

Internationally recognised as pre-eminent collectors of Post-War and Contemporary Art, Emily and Jerry Spiegel devoted the last 30 years of their lives to patronage of the arts. Their collection of paintings, sculpture and photography comprises more than 100 works and was represented throughout Christie’s Evening and Day Sales of Post-War and Contemporary Art in May, and now in a dedicated October Photographs Auction in New York. 

From humble origins working on his uncle’s farm, Jerry Spiegel rose to become one of Long Island’s most enterprising real estate developers. When the Spiegels started collecting in the 1980s, they began to befriend many of the artists they collected. In addition to being early champions of artists such as Sigmar Polke, Gerhard Richter, Christopher Wool and Anselm Kiefer, the Spiegels amassed works by the likes of Andy Warhol, Man Ray, Jeff Koons, Cindy Sherman and Francis Picabia.



Paul Strand (1890–1976), Rebecca, New York, 1923. Sheet 10 x 8  in (25.5 x 20.4  cm). Estimate $500,000-700,000. This lot is offered in Visionaries Photographs from the Emily and Jerry Spiegel Collection on 10 October 2017  at Christie’s in New York

Paul Strand (1890–1976), Rebecca, New York, 1923. Sheet: 10 x 8 in (25.5 x 20.4 cm). Estimate: $500,000-700,000. This lot is offered in Visionaries: Photographs from the Emily and Jerry Spiegel Collection on 10 October 2017 at Christie’s in New York

‘My mother’s art journey was extraordinary,’ says the couple’s daughter, Pamela Sanders, a noted collector in her own right. ‘Her deep passion for the works she collected and the artists she befriended culminated in a highly cohesive collection of American and European fine art. The joy my mother experienced in the art world every day of her life, and her curiosity about culture, prevailed until her last days.’

André Kertész (1894–1985), Pitcher, 1926. Mount 13¼ x 10½  in (33.6 x 26.6  cm). Estimate $100,000-150,000. This lot is offered in Visionaries Photographs from the Emily and Jerry Spiegel Collection on 10 October 2017  at Christie’s in New York

André Kertész (1894–1985), Pitcher, 1926. Mount: 13¼ x 10½ in (33.6 x 26.6 cm). Estimate: $100,000-150,000. This lot is offered in Visionaries: Photographs from the Emily and Jerry Spiegel Collection on 10 October 2017 at Christie’s in New York

In addition to their Modern and Contemporary holdings, the collectors built an important collection of photographs, which included prime examples by Edward Steichen, Man Ray, Paul Outerbridge, Paul Strand and Diane Arbus.

‘The Spiegels bought Wool, Sherman, Koons, Polke and Kiefer when very few collectors had the guts to do so, and acquired works that were considered incredibly radical and fierce at the time,’ says Alex Rotter, Chairman of Post-War & Contemporary Art. 

Man Ray (1890–1976), dadaphoto, 1920. Imagesheet 4¾ x 2½  in (12 x 6.3  cm). Estimate $100,000-150,000. This lot is offered in Visionaries Photographs from the Emily and Jerry Spiegel Collection on 10 October 2017  at Christie’s in New York

Man Ray (1890–1976), dadaphoto, 1920. Image/sheet: 4¾ x 2½ in (12 x 6.3 cm). Estimate: $100,000-150,000. This lot is offered in Visionaries: Photographs from the Emily and Jerry Spiegel Collection on 10 October 2017 at Christie’s in New York

The Spiegels became unflagging supporters of museums and cultural institutions in New York, Long Island, and beyond. They were particularly ardent supporters of the Museum of Modern Art, where Mrs. Spiegel served as a trustee and member of the Painting and Sculpture Committee. The Spiegels and their eponymous foundation underwrote a range of exhibitions and donated a number of important works that now feature prominently in MoMA’s permanent collection. 

In 2001, the collectors gifted Warhol’s Silver Double Elvis (1963) in honour of their friend Kirk Varnedoe, who was chief curator of painting and sculpture at MoMA from 1988 to 2001. 

Robert Mapplethorpe, Emily and Jerry Spiegel, 1988. © The Robert Mapplethorpe Foundation. Courtesy Art + Commerce
Robert Mapplethorpe, Emily and Jerry Spiegel, 1988. © The Robert Mapplethorpe Foundation. Courtesy Art + Commerce

Pamela Sanders oversaw the 2010 donation of her parents’ sizeable library of fine art books — several of which were given directly by artists — to the Institute of Fine Arts at New York University. ‘My parents’ vision and generosity to artists and institutions have served as powerful examples of the importance of the need for collectors to give back to the art world,’ she says.

Paul Outerbridge Jr. (1896–1958), Ide Collar, 1922. Sheet 5 x 4  in (12.7 x 10.1  cm). Estimate $250,000-350,000. This lot is offered in Visionaries Photographs from the Emily and Jerry Spiegel Collection on 10 October 2017  at Christie’s in New York

Paul Outerbridge Jr. (1896–1958), Ide Collar, 1922. Sheet: 5 x 4 in (12.7 x 10.1 cm). Estimate: $250,000-350,000. This lot is offered in Visionaries: Photographs from the Emily and Jerry Spiegel Collection on 10 October 2017 at Christie’s in New York

‘This sale is a testament to my mother’s extraordinary ability to change the discourse over her lifetime of collecting,’ says Pamela Sanders. ‘She was influential, risk-taking and, for me, these works represent a commitment of the purest level and highest quality. Now, the fruits of that commitment will be made available to the world to enjoy.’