Lot Essay
The present seal is an extremely rare personal seal of the Kangxi Emperor, and recent research at the Palace Museum identifies this seal as being recorded in the Baosou, 'Compilation of Treasures', which was assembled during the Qianlong reign. The two-character seal chop, Qinmin, 'To work assiduously for the people', was taken from the Classics and more importantly this short phrase summarised Kangxi's personal philosophy of kingsmanship.
Imperial seals from the Kangxi period both in public and private hands are extremely rare. Compare with a set of twelve seals known collectively as the "Peiwen Zhai seals" sold in these Rooms, 7 July 2003 (Catalogue dated 28 April 2003), lot 535. There appear to be only three remaining Kangxi seals preserved in the Beijing Palace museum that are recorded in the Baosou, cf. an essay by Shan Guoqiang, 'Imperial Seals of Emperor Kangxi - Absolute Rarities of Chinese Art', ibid., 2003, p. 63.
Peiwen Zhai, 'The Study of Literary Grace', was located within the Changchun Garden of the Yuanmingyuan where more than sixty imperial publications were compiled. As with the set of Peiwen Zhai seals, the present soapstone Qinmin seal was made with an equally strong literary reference to the traditional Confucian ideal of diligence. The two characters, Qinmin, enshrined not only the Emperor's ideal of governance but it also served as a constant reminder to Kangxi himself of his responsibilities as Emperor.
Imperial seals from the Kangxi period both in public and private hands are extremely rare. Compare with a set of twelve seals known collectively as the "Peiwen Zhai seals" sold in these Rooms, 7 July 2003 (Catalogue dated 28 April 2003), lot 535. There appear to be only three remaining Kangxi seals preserved in the Beijing Palace museum that are recorded in the Baosou, cf. an essay by Shan Guoqiang, 'Imperial Seals of Emperor Kangxi - Absolute Rarities of Chinese Art', ibid., 2003, p. 63.
Peiwen Zhai, 'The Study of Literary Grace', was located within the Changchun Garden of the Yuanmingyuan where more than sixty imperial publications were compiled. As with the set of Peiwen Zhai seals, the present soapstone Qinmin seal was made with an equally strong literary reference to the traditional Confucian ideal of diligence. The two characters, Qinmin, enshrined not only the Emperor's ideal of governance but it also served as a constant reminder to Kangxi himself of his responsibilities as Emperor.