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Sale 6068 / Lot 60

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Giacomo Francesco Cipper, il Todeschini (1664-1736)

A peasant woman playing the hurdy-gurdy, a girl playing the dulcimer and drinking, a youth in a farmhouse; and An old woman with a mouse trap, a girl with knitting and a peasant boy with a recorder in a farmhouse

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Price Realized (Set Currency)

    £36,700
  • ($61,528)
  • Sales totals are hammer price plus buyer’s premium and do not reflect costs, financing fees or application of buyer’s or seller’s credits.
Estimate
    £40,000 - £60,000
  • ($67,060 - $100,590)

Sale Information

Sale 6068
Old Master Pictures
16 December 1998
London, King Street

Lot Description

Giacomo Francesco Cipper, il Todeschini (1664-1736)
A peasant woman playing the hurdy-gurdy, a girl playing the dulcimer and drinking, a youth in a farmhouse; and An old woman with a mouse trap, a girl with knitting and a peasant boy with a recorder in a farmhouse
oil on canvas
58¼ x 46¾ in. (148 x 118.8 cm.) and 58.1/8 x 47.1/8 in. (147.5 x 119.8 cm.)
a pair (2)

View Lot Notes ›

Lot Notes

We are grateful to Maria Silva Proni for confirming the attribution from transparencies. She considers the present pictures 'di ottimo livello qualitativo' and intends to include them in her next publication on Cipper.

The dog in the first painting recurs in almost identical form in other works by Cipper (see M.S. Proni, Giacomo Francesco Cipper detto 'Il Todeschini', Soncino, 1994, pp. 84-5 and 110-11, nos. 23 and 35, both illustrated in colour, and p. 124, fig. 39). The latter picture also includes a hurdy-gurdy player. The hurdy-gurdy, an instrument of widespread use from the Middle Ages onwards in Northern Europe but comparatively little known in Italy, where it was known amongst other things as the lyra tedesca, was depicted by Cipper on a number of occasions (see ibid., pp. 44-5, no. 4, illustrated in colour, and pp. 58-9, no. 10, illustrated in colour, and fig. 15).

For a painting showing peasants playing the same combination of musical instruments, see the catalogue of the exhibition, Settecento lombardo, Palazzo Reale, Milan, 1 February-28 April 1991, p. 102, no. 1.52, illustrated in colour p. 100. For other paintings of these peasants with a mousetrap and a cat, see Proni, op. cit., p. 70, fig. 20 (where the youth also holds a recorder) and the catalogue of the exhibition Giuseppe Maria Crespi and the Emergence of the Genre Painting in Italy, Kimbell Art Museum, Fort Worth, 20 September-7 December 1986, p. 70, fig. 62.

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