• Important American Furniture,  auction at Christies

    Sale 2414

    Important American Furniture, Folk Art, English Pottery, Rugs & Prints

    21 January 2011, New York, Rockefeller Plaza

  • Lot 92

    THE CATHERINE GODDARD CHIPPENDALE BLOCK-AND-SHELL CARVED AND FIGURED MAHOGANY BUREAU TABLE

    ATTRIBUTED TO JOHN GODDARD (1724-1785), NEWPORT, CIRCA 1765

    Price Realised  

    THE CATHERINE GODDARD CHIPPENDALE BLOCK-AND-SHELL CARVED AND FIGURED MAHOGANY BUREAU TABLE
    ATTRIBUTED TO JOHN GODDARD (1724-1785), NEWPORT, CIRCA 1765
    The proper left center drawer with an old pencil inscription: Made the pea.. [piece?] 7 of May; bears a handwritten label reading, JOHN GODDARD, Cabinet maker born died 1785. married HANNAH about 1746. CATHERINE, born April 10, 1757. died March 24, 1816. THOMAS, born April 2, 1765. died July 24, 1858. John Goddard made the desk for his daughter Catherine Goddard, who married Perry Weaver. Their son Benjamin Weaver married Hannah Briggs, who inherited the desk, and gave it to her sister Deborah Briggs. She left it to Mary Briggs Weaver, daughter of Hannah Briggs, and she left it to Mary Briggs Weaver Case
    31½ in. high, 35¼ in. wide, 19½ in. deep


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    Masterfully designed and crafted, this bureau table is an outstanding example of Newport's celebrated block-and-shell furniture and with a provenance in the family of John Goddard (1724-1785), stands as a rare and critical document of the work of one of early America's most renowned cabinetmakers.

    The bureau table was recorded as being made by John Goddard three generations after it was made, an assertion not only supported by its descent in the cabinetmaker's family but also by its similarity to other surviving pieces attributed to Goddard. The carved shells on this bureau share a number of details with those on a block-and-shell desk and bookcase that descended in the Lisle family and is now at the Rhode Island School of Design. Reading Made by John Goddard 1761 and repaired by Thomas Goddard his son 1813, an inscription on the desk written by John's son Thomas reveals that he "clearly took pride in his father's accomplishment and sought to perpetuate its record for posterity" (Brock Jobe, "The Lisle Desk-and-Bookcase: A Rhode Island Icon," American Furniture 2001 (Milwaukee, WI, 2001), p. 122). As noted by Michael Moses, the shells on the Lisle desk and the bureau offered here both feature shells with "flattened articulation," an odd number of lobes on both the convex and concave examples and cross-hatching under the petals of the shells' interiors on the convex shells. Furthermore, this bureau features construction practices seen on slant-front desks made by Goddard. These practices comprise drawer bottoms affixed to the undersides of the sides and backs and fitting into grooves in the fronts and two lipped backboards attached with rosehead nails to recesses in the case sides (Michael Moses, Master Craftsmen of Newport: The Townsends and Goddards (Tenafly, NJ, 1984), p. 212). For a bureau table attributed to Goddard on the basis of the example offered here, see Christie's New York, 18-19 January, 2007, lot 593.
    The label on the bureau notes that John Goddard made the bureau for his daughter, Catherine (1757-1816). As the piece dates to circa 1765 and Catherine married Perry Weaver in 1778, the bureau was made prior to her marriage and either made expressly for her when she was just a child or given as a wedding present well after it was made. A tea table in the Museum of Fine Arts, Boston is also reputed to have been made by Goddard for his daughter Catherine. See Edwin J. Hipkiss, Eighteenth-Century American Arts: The M. and M. Karolik Collection (Cambridge, MA, 1941), pp. 110-111, no. 59. The bureau descended in the Weaver family and though passing laterally a couple times, ended up with Mary Briggs (Weaver) Case (b. 1852), John Goddard's great-great granddaughter, the last family member to own the piece. She sold the bureau to George Vernon & Company, an antiques firm in Newport and while it was in his shop, his employee, Jonas Bergner drew a sketch of the piece, noted details and measurements of the component parts and recorded its family history. Discussing the brasses, Bergner reiterated the attribution to John Goddard by noting that the large size of the hardware "gave the solid and dignified touch that is so admired in Mr. Goddard's work" (Jonas Bergner, Day Book (unpublished, in the collection of the Redwood Library, Newport), pp. 46-47).

    Provenance

    As indicated by a label in the top drawer:
    Catherine (Goddard) Weaver (1757-1816), Newport
    Benjamin Weaver (1781-1863), Middletown, Rhode Island, son
    Deborah Briggs (1787-1856), sister-in-law
    Mary Briggs Weaver (1814-1899), niece of above and daughter of Benjamin, above
    Mary Briggs (Weaver) Case (b. 1852), niece of above
    George E. Vernon, Newport, 1921, by purchase from above
    Mr. and Mrs. John Nicholas Brown, Providence, Rhode Island, 1924, by purchase from above
    Thence by descent in the family
    Sold, Sotheby's, New York, 23 January 2005, lot 1203


    Pre-Lot Text

    PROPERTY FROM A MIDWEST COLLECTION


    Literature

    Walter A. Dyer, "John Goddard and His Block Fronts," The Magazine Antiques (May 1922), p. 203, fig. 2
    Jonas Bergner, Day Book (unpublished, in the collection of the Redwood Library, Newport), pp. 46-47.
    "Four Centuries of Furniture with Flowers," The Magazine Antiques (July 1946), p. 33.
    The Rhode Island Furniture Archive at the Yale University Art Gallery, object number RIF635.


    Exhibited

    New York, New York, Four Centuries of Furniture with Flowers (Rhode Island Exhibit, Garden Club of America Annual Flower Show), March 1946. Providence, Rhode Island, The Nightingale-Brown House, site of The John Nicholas Brown Center for the Study of American Civilization, Brown University, 1985 to 1987, 1993 to 2004.