Curt Valentin Gallery, New York, acquired from the artist
University of Nebraska, Lincoln, 1952
Their sale; Sotheby's New York, 6 November 1981, lot 398
Acquired at the above sale by the present owner
The Arthur and Anita Kahn Collection: A New York Story
Alexander Calder: The 50s, exh. cat., Beverly Hills, Pace Wildenstein, 1995, p. 6 (installation view illustrated).
A Modern Definition of Space: Calder Sculpture, exh. cat., New York, Van de Weghe Fine Art, 2003, p. 83 (installation view illustrated).
"Calder," Arte y Parte, no. 44, April–May 2003, p. 31 (illustrated in color).
Calder: Poetry in Motion, exh. cat., Seoul, Kukje Gallery, 2003, p. 18 (installation view illustrated).
Calder: The Forties, exh. cat., London, Thomas Dane, 2005, p. 36 (installation view illustrated).
G. Souter, Alexander Calder, New York, 2006, p. 42 (illustrated in color).
Calder and Abstraction: From Avant-Garde to Iconic, exh. cat., Los Angeles County Museum of Art, 2013, p. 175 (installation view illustrated).
Cambridge, Massachusetts Institute of Technology, Calder, December 1950–January 1951.
Washington, D.C., Institute of Contemporary Arts, Sculptures by Alexander Calder, April–June 1951.
New York, Curt Valentin Gallery, Alexander Calder: Gongs and Towers, January-February 1952, no. 12.
Lincoln, University of Nebraska Art Galleries, Nebraska Art Association Sixty-Second Annual Exhibition, March 1952.
Munich, Haus der Kunst, Elan Vital oder Das Auge Des Eros: Kandinsky, Klee, Arp, Miró, Calder, May-August 1994, pl. 459, no. 227 (illustrated in color).
Humlebaek, Louisiana Museum of Modern Art; Stockholm, Moderna Museet and Musée d'Art Moderne de la Ville de Paris, Alexander Calder, October 1995-October 1996, p. 59, no. 59 (illustrated).
Washington, D.C., National Gallery of Art and San Francisco Museum of Modern Art, Alexander Calder 1898-1976, March-December 1998, pp. 260-261, no. 215 (illustrated in color).
Bilbao, Guggenheim Museum and Madrid, Museo Nacional Centro de Arte Reina Sofía, Calder: Gravity and Grace, March 2003-April 2004, no. 36 (illustrated in color).