The Rolling Stones
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The Rolling Stones

Details
The Rolling Stones
A rare ¼ inch reel-to-reel tape recording of The Rolling Stones performing at the Crawdaddy Club, Richmond Athletic Association, Richmond, Summer 1963, the recording made by Paul Lucas on two reels of Agfa Magnetonband tape, approximate running time 90 minutes, running order:
1. Route 66 [complete]
2. Come On
3. Talkin' Bout You
4. Love Potion No.9
5. Roll Over Beethoven
6. Money
7. Pretty Thing [complete]
8. Jaguar & Thunderbird
9. Don't Lie To Me
10.Our Little Rendezvous [complete, Chuck Berry's rewrite of Good Morning Little Schoolgirl - this Berry song is unknown in any other version by the Stones]
11.You Got Me Running
12.Brown Eyed Handsome Man
13.Diddley Diddley Daddy [complete]
14.Money [complete];
accompanied by a c.d. of the recording and a black and white photograph of The Rolling Stones on stage at the Station Hotel, Richmond, 1963 [printed later] -- 8½x10¼in. (21.6x26cm.)

This recording is offered for sale without copyright, broadcast rights, performers consents, and other reproduction rights. The Buyer must apply to the relevant parties to obtain such clearance and consents as may be necessary (4)
Literature
BARNARD, Stephen The Rolling Stones, Street Fighting Years, London: Studio Editions, 1993, p.15 (illus.)
BONANNO, Massimo The Rolling Stones Chronicle, London: Plexus, 1990, pp.14&15
DAVIS, Stephen Old Gods Almost Dead, The 40-Year Odyssey Of The Rolling Stones, London: Aurum Press, 2002, p.45
WYMAN, Bill Stone Alone, The Story Of A Rock 'N' Roll Band, London: Viking, 1990
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis
Further details
See lot 80.

Lot Essay

In the early 1960s Paul Lucas was the bass player in Jeff Beck's band The Tridents, and, along with the embryonic Who and Yardbirds, frequented Giorgio Gomelsky's Crawdaddy Club, first situated at the Station Hotel in Richmond, later moving to the Richmond Athletic Association at the end of June, 1963. On the occasion that the above recording was made at the Athletic Association venue, sometime between July and September, 1963, Mr Lucas had borrowed a friend's clockwork tape recorder (clockwork recorders were usually used by news reporters and pre-dated cassette recorders). Mr Lucas recalls having to arrive early at the venue to get close to the stage. When the Stones came on, he and his brother were situated to the left of the stage, just in front of Brian Jones, and asked his permission to record the performance.

Giorgio Gomelsky's club became known as the Crawdaddy after the Stones started their weekly stint on 24th February - the Bo Diddley song Doing The Crawdaddy was the last number of their set. It was here that they first came to the attention of the Press, were famously visited by The Beatles at Gomelsky's invitation on 14th April, and first seen by Andrew Loog Oldham on 28th April. Oldham moved quickly to sign up the Stones, and on 1st May, Brian Jones found himself in the offices Oldham rented from Eric Easton on Regent Sreet, signing a three-year management contract on behalf of the group. In his autobiography Stone Alone, Bill Wyman said of receiving their first paycheck from Gomelsky..."the place was to mean much more to the band's future than money..."

Although a couple of set lists from this era have been preserved, no live recordings were thought to exist. Due to the nature of the recording equipment used, not all the tracks are complete, some suffer from either intermittent microphone connection or dropout due to the machine needing to be wound up and restarted (tracks that are complete have been marked as such in the catalogue description). In spite of the primitive recording equipment, the quality is surprisingly good and the tape captures the excitement created by the group rated by The Beatles, among others, as Britain's finest R&B band.

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