A SIGNED 'PETAG' TABRIZ CARPET
A SIGNED 'PETAG' TABRIZ CARPET
A SIGNED 'PETAG' TABRIZ CARPET
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A SIGNED 'PETAG' TABRIZ CARPET
5 More
Specified lots (sold and unsold) marked with a fil… Read more VARIOUS PROPERTIES
A SIGNED 'PETAG' TABRIZ CARPET

NORTH WEST PERSIA, CIRCA 1920

Details
A SIGNED 'PETAG' TABRIZ CARPET
NORTH WEST PERSIA, CIRCA 1920
Of Safavid 'in and out' palmette design, the cintamani signature is woven in one corner of the field, overall very good condition
18ft.4in. x 12ft.8in. (556cm. x 387cm.)
Special notice
Specified lots (sold and unsold) marked with a filled square not collected from Christie’s by 5.00 pm on the day of the sale will, at our option, be removed to Cadogan Tate. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage. Please call Christie’s Client Service 24 hours in advance to book a collection time at Cadogan Tate Ltd. All collections will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.
Sale room notice
Please note that this lot should be marked with a filed square ▪. As such the lot will be removed to Cadogan Tate after the sale. For further information please contact the department or see the Storage and Collection pages at the back of the catalogue.

Please note that the Gulf Cooperation Council has imposed a ban on the importation of Iranian goods to or via its member states. Please check with your shippers whether you will be able to ship Iranian artworks to the GCC member states prior to purchase.

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Sara Plumbly
Sara Plumbly

Lot Essay

The PETAG workshop (Persische Teppiche A.G.), was a German initiative which produced high quality carpets in order to combat the decline in quality encountered as a result of the mass production of the late 19th century. The carpets are identified by their distinctive 'signature' formed of three çintamani roundels generally located in the far corner of the field or border pattern. The workshop frequently used 16th century classical carpet designs as a source of inspiration, which were available to them in printed books such as F.R. Martin's, A History of Oriental Carpets before 1800, Stockholm, 1908. The present carpet draws its inspiration from an 'in and out' palmette design taken from a 16th/17th century Safavid Persian carpet fragment published first in Friedrich Sarre, Orientalische Teppiche, Vienna, 1892, pl.XXXIII, no.43 and later in F. Sarre and Herrman Trenkwald, Alt-Orientalische Teppiche, Vienna, 1926, Vol 1, pl.13, p.41. One can form a good impression of the original scale and drawing of such carpets in a small Safavid Isfahan fragment offered in the present sale, lot 205. A Petag carpet of the exact same design as the present lot, but of slightly different field and border ground colour, sold in these Rooms, 14 October 2004, lot 47.

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