FEATURES ARCHIVE

The Meiji Restoration of 1868 brought an end to feudal rule in Japan and “restored” imperial leadership under the Emperor Meiji (r. 1867–1912). With a newly centralized government, Japan entered a period of rapid modernization and Westernization. As trade barriers were lifted, the influx of Western influences exerted a profound impact on the arts and culture of Japan, even as Japanese techniques and artistry captivated the wider world. Through its exposure in the world expositions of the late 19th century, Japanese enamelwork had become a wonder of the international marketplace.

Distinguished by its beautiful polish and striking colors, Japanese enamelware was above all a technical triumph. Cloisonné, or shippo, is one of the most intricate types of enamel manufactured. Artists begin by molding, cutting and attaching copper wires to a substrate, most often of metal, following the intended design. The spaces between the wires are filled in with vitreous enamel powder of the chosen colors before the piece is fired and refilled as required, and then ground to a lustrous polish. Among the more than 50 works from the Meiji period in this sale is an outstanding cloisonné enamel vase from the studio of eminent Kyoto enamel artist Namikawa Yasuyuki (1845–1927). It stands as a crowning example of Yasuyuki’s skill with the gold wirework technique, while also showcasing his signature fluid, pictorial style.