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    Sale 7635

    British Art on Paper

    10 December 2008, London, King Street

  • Lot 55

    Edward Lear (1812-1888)

    La Piana, Corsica; and The Gulf of Porto, Corsica

    Price Realised  

    Estimate

    Edward Lear (1812-1888)
    La Piana, Corsica; and The Gulf of Porto, Corsica
    both signed with monogram (lower right)
    pencil, pen and ink, grey and brown wash heightened with white
    4 5/8 x 7 5/8 in. (11.8 x 9.4 cm.)
    a pair (2)


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    Lear discovered the mountainside village of La Piana on 10 May and the grandeur of the scenery altered his opinion of the Corsican countryside: 'at a sharp turn in the road, a vast and striking picture of mountain, cliff, sea, and the village of La Piana, starts suddenly, as it were, into life: never again shall I say, as I have said more than once, that there is no remarkable coast scenery in Corsica, for, doubtless, this may claim comparison with that of most countries for grandeur' (Lear, op. cit., p. 128). The following day he travelled through the mountains down to Porto noting that 'at every turn there are new and fine combinations of beauty - round-headed pines rising above the dense vegetation that clothes the whole of the middle distance, backed by immense mountains above, and with the deep green gulf lying like a mirror below' (Lear, op. cit., p. 113).

    Lear found the preparation of reproductions for his Corsican journal a highly difficult and trying process. He cut wood engravings from the drawings that he had executed on his trip, of which the present drawings are probably examples.

    For two other drawings executed on Lear's trip to Corsica see lot 54.

    We are grateful to Vivien Noakes for her help in preparing this catalogue entry.

    Special Notice

    No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.


    Provenance

    Thomas Baring, 1st Lord Northbrook.


    Pre-Lot Text

    PROPERTY FROM A PRIVATE COLLECTION


    Exhibited

    Princeton, University Art Museum, date unknown, nos. 29 and 30, according to a label on the backboard.