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    Sale 1961

    Old Master And 19th Century Drawings

    24 January 2008, New York, Rockefeller Plaza

  • Lot 97

    LOUIS-LEOPOLD BOILLY (LA BASSÉE 1761-1845 PARIS)

    A young woman grinding coffee

    Price Realised  

    LOUIS-LEOPOLD BOILLY (LA BASSÉE 1761-1845 PARIS)
    A young woman grinding coffee
    signed 'L. Boilly' and with inscriptions 'Cabinet de M. [...]' (on the verso of the mount)
    black and white chalk, on light brown paper
    19¼ x 15½ in. (499 x 395 mm.)


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    The present drawing, unusually large and well preserved is related to a painting of the same composition which was sold at Sotheby's, London, 9 December 1981, lot 3. The fact that the drawing is highly finished and surprisingly of larger dimensions than the painting which measures 16 x 12¾ in. (407 x 324 mm.) may indicate that the present lot was intended as an independent work of art rather than a study for the painting although it is impossible to say whether painting or drawing predates the other.
    At the 1981 sale the painting had a pendant, A young woman ironing, now at the Museum of Fine Arts, Boston (E.M. Zafran, French paintings in the Museum of Fine Arts. Artists born before 1790, Boston, 1998, I, no. 78). Perhaps there was a drawing associated with the Boston painting as well. The two pictures are from a number of small paintings produced by Boilly around 1800.
    The Young woman grinding coffee has sometimes been identified with a painting exhibited at the Salon of 1800, A woman seated by a stove doing housework, which was highly praised for the realism of its still-life objects and the clear influence of seventeenth-century Dutch prototypes. Such comments are well suited to the present drawing where the careful rendering of the satin garments and the two meticulous yet casual groupings of still-life on the table and on the floor echo the interior scenes of Terborch, Frans van Mieris and Metsu. Moreover, the technique with the extensive use of black chalk is reminiscent of the rare drawings by these same Dutch masters where the central figure is often shown brightly lit against a dark background.
    We are grateful to Etienne Breton and Pascal Zuber for confirming the attribution. The drawing will be included in their forthcoming catalogue raisonné of the artist.

    Provenance

    Georges Lutz, Paris.
    Anonymous sale; Galerie Georges Petit, Paris, 26-27 May 1902, lot 124. De Sainte Far; Galerie Charpentier, Paris, 11-12 June 1959.
    Anonymous sale; Hôtel Drouot, Paris, 7 December 1959, lot 110.


    Literature

    H. Harrisse, L.-L. Boilly, peintre, dessinateur, et lithographe: sa vie et son oeuvre, 1761-1845, Paris, 1898, p. 169, n. 967 (as La femme au poèle)