• Christies auction house James Christie logo

    Sale 7744

    Old Masters & 19th Century Art Day Sale

    8 July 2009, London, King Street

  • Lot 123

    Thomas Rowlandson (London 1756-1827)

    La Place de Mer, Antwerp

    Price Realised  

    Thomas Rowlandson (London 1756-1827)
    La Place de Mer, Antwerp
    signed and dated 'Rowlandson 1794' (lower right) and with inscription 'Place de Mer Antwerp' (lower right)
    pencil, pen and ink and watercolour, on paper
    16 x 21¾ in. (40.6 x 55.3 cm.)


    Contact Client Service
    • info@christies.com

    • New York +1 212 636 2000

    • London +44 (0)20 7839 9060

    • Hong Kong +852 2760 1766

    • Shanghai +86 21 6355 1766

    Contact the department

    Rowlandson visited the Low Countries in 1792 and again, perhaps, in 1793; the war with France made travel increasingly difficult after that. This large-scale finished watercolour of 1794 was presumably executed back in London. It shows the Place de Mer or Meir, important from the 16th Century onwards on account of the proximity of the Stock Exchange. The market cross and the church of the Carmelites on the left were demolished by the French in 1797. On the right is the Huideuettersstraat.

    This is one of three companion views, all engraved and published by Ackermann in 1797. The others show Fishmarket at Amsterdam (see Hayes, op. cit., p. 154, no. 90, illustrated) and the Stadhuis, Amsterdam. There are two other, unsigned versions of the present composition; one sold in these Rooms, London, 21 November 1978, lot 41, and the other is in the Victoria & Albert Museum, London. The present version, Hayes suggests, probably belonged to Matthew Michell, a banker and Rowlandson's companion on his tour of the Low Countries. Hayes describes Michell as a portly bon viveur with an apparently insatiable appetite for Rowlandson's drawings and was one of the artist's closest friends from the 1790s to 1819, (op. cit., p. 20), who came to replace Wigstead in his affections after the latter's death in 1800. Michell divided his time between his houses in the Strand, at Enfield, north London and his country estate, Hengar in Cornwall. He was rich and enormously hospitable and Rowlandson was a frequent visitor at all three houses.

    Special Notice

    No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.


    Provenance

    (Probably) Matthew Michell; Sotheby's, London, 1818 (sold 9 gns.).
    H.E. Ten Cate; sale, Amsterdam, 20 December 1958, lot 99, illustrated (400 gns. to The Fine Art Society).
    with The Fine Art Society, London, November 1959.
    Anonymous sale; Christie's, New York, 25 May 1984, lot 370.


    Pre-Lot Text

    THE PROPERTY OF A GENTLEMAN


    Literature

    J. Grego, Rowlandson the Caricaturist, London, 1880, I, p. 331.
    J. Hayes, Rowlandson Watercolours and Drawings, London, 1972, p. 155, no. 91, illustrated.


    Exhibited

    Amsterdam, Rijksmuseum, Tentoonstellung van Oude Kunst, 1929, no. 267.