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    Sale 12975

    Noble & Private Collections Part I

    2 November 2016, London, King Street

  • Lot 88

    A FLEMISH MYTHOLOGICAL TAPESTRY

    BY JAN II RAES, BRUSSELS, FIRST QUARTER 17TH CENTURY

    Price Realised  

    Estimate

    A FLEMISH MYTHOLOGICAL TAPESTRY
    BY JAN II RAES, BRUSSELS, FIRST QUARTER 17TH CENTURY
    Depicting Dido at the burning pyre, burning Aenes' armour and holding aloft his sword, within an elaborate architectural border, with Brussels town mark, signed 'RAET'
    13 ft. 7 in. x 10 ft. 8 in. (415 x 325 cm.)


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    Specified lots (sold and unsold) marked with a filled square not collected from Christie’s by 5.00 pm on the day of the sale will, at our option, be removed to Cadogan Tate. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table. These will apply whether the lot remains with Christie’s or is removed elsewhere. If the lot is transferred to Cadogan Tate, it will be available for collection from 12 noon on the second business day following the sale. If the lot remains at Christie’s it will be available for collection on any working day 9.00am to 5.00pm. Lots are not available for collection at weekends.


    Pre-Lot Text

    PROPERTY OF A DISTINGUISHED EUROPEAN COLLECTOR (LOTS 88-89,103 & 382)

    These three panels form part of the story of ‘Dido and Aeneas’; a series illustrating episodes from Ovid's Heroides. Among Ovid's early works, it revolves around legendary women such as Penelope, Dido and Ariadne and their absent lovers or husbands. The three panels were woven by Jan II Raes (d. 1643), one of the eight most important weavers in Brussels in the early 17th century. He is believed to have been born in circa 1570, the son of Jan I Raes who appears as a tapestry weaver in circa 1580. Jan II received his privileges in 1613 and 1629, and was burgomaster of Brussels in 1634-35. He is recorded as supervising the weaving of several sets after cartoons by Rubens, including ‘The Life of Decius Mus’ and ‘The Triumph of the Eucharist’.