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The suite of eight armchairs and four sofas was supplied in 1765 by Thomas Chippendale to Sir Lawrence Dundas, Bt., for the Great Room, 19 Arlington Street, London.
In 1934 three sofas and four armchairs were retained by the family and moved from 19 Arlington Street to Aske in Yorkshire. Of these, a pair of armchairs and a pair of sofas was sold, Christie's, London, 3 July 1997, lots 100-101, the other pair of chairs and one sofa are at Duff House, Banff.
The remaining sofa (lot 5 in this sale) and four armchairs (a pair, lot 4 in this sale) were sold by the Marquess of Zetland in these Rooms, 26 April 1934, lot 73 (360 guineas).
The Victoria and Albert Museum purchased one armchair in 1937.
Ronald Tree, Esq., subsequently acquired the sofa and three armchairs probably for Ditchley Park, Oxfordshire and sold them at Sotheby's London, 6 June 1947, lot 154.
They were bought by Mrs Derek Fitzgerald, Heathfield Park, Sussex and were again sold at Sotheby's London, 5 July 1963, lot 171.
Acquired by the present owner in the 1980s.
An Inventory of the Furniture &c. of Sir Laurence Dundas Bart., at His House in Arlington Street the 12 May 1768
No. 17 Front Room, One pair of Stairs
4 Sophas gilt covered with Damask
THE PROPERTY OF A GENTLEMAN
LITERATURE FOR THE SUITE:
P. Macquoid, The Age of Mahogany, History of English Furniture, London/New York, 1906, pp. 217-8, figs. 197 & 198.
F. Lenygon, Furniture in England from 1660-1760, London, 1914, pp. 20-1, fig. 6.
A. T. Bolton, 'London Houses/19 Arlington St. S.W.1.A Residence of the Marquess of Zetland', Country Life, 17 September 1921, pp. 350-55.
A. T. Bolton, 'Some Early Adam Furniture at No. 19, Arlington St', Country Life, 24 September 1921, pp. 385-8.
R. Edwards, and P. Macquoid, The Dictionary of English Furniture, Vol. I, London, 1924-7, p. 249.
M. Harris & Sons, The English Chair, London, 1937, p. 134, pl. LXIV
R. Edwards and M. Jourdain, Georgian Cabinet-makers, London, rev.ed. 1944, p. 61, p. 163, pl. 83.
O. Brackett, English Furniture Illustrated, London, rev.ed. 1950, p. 207, pl. CLXXIX, p. 289.
R. Edwards, The History of the English Chair, London, 1951, p. 14, pl. 81.
A. Heal, London Furniture Makers, 1953, p. 94.
M. Jourdain and F. Rose, English Furniture: The Georgian Period 1750-1830, London, 1953, p. 86, pl. 50.
R. Edwards and P. Macquoid, The Dictionary of English Furniture, Vol. I, London, rev.ed. 1954, pp. 287, 289, fig. 200.
C. Hussey, English Country Houses Mid-Georgian 1760-1800, London, 1956, p. 144.
P. Ward-Jackson, English Furniture Designs of the Eighteenth Century, London, 1958, pp. 56-7, pl. 202.
E. Harris, 'Robert Adam and the Gobelins', Apollo, April 1962, Vol LXXVI, pp. 100-6.
E. Harris, The Furniture of Robert Adam, London, 1963, p. 91,
G. Bernard Hughes, 'Costly Elegance of Gilded Chairs', Country Life, 28 November 1963, pp. 1398-9.
J. Gloag, The Englishman's Chair, London, 1964, pl. 48.
H. Phillips, Mid-Georgian London, London, 1964, pp. 71, 287.
H. Hayward, et al., World Furniture, London, 1965, p. 138, fig. 508.
M. Musgrave, Adam & Hepplewhite & Other Neo-classical Furniture, London, 1966, pp. 43-4, 65, 123-4, 184, 192, 197, pl. 16, 57, 81.
A. Coleridge, 'Sir Lawrence Dundas & Chippendale', Apollo, Vol.
LXXXVI September 1967, pp. 190-203.
E. Harris, 'The Moor Park Tapestries', Apollo, Vol LXXXVI September 1967, pp. 180-9.
J. Harris, 'The Dundas Empire', Apollo, Vol LXXXVI September 1967, pp. 170-9.
D. Sutton, (Editorial) 'The Nabob of the North', Apollo, Vol LXXXVI September 1967, p. 168.
A. Coleridge, Chippendale Furniture, The Work of Thomas Chippendale and his Contemporaries in the Rococo Taste, London, 1968, pp. 121-3, 130-1, 142-5, 147-8, 169-71, 209, 212, pl. 367.
R. Edwards, Georgian Furniture, London, rev.ed. 1969, pl. 90.
M. Tomlin, Catalogue of Adam Period Furniture, London, 1972, pp. 2-3.
F. Watson, et al., 'Purity of Form: The neoclassical reaction' in the History of Furniture, London, 1976, p. 159.
R. Edwards, The Shorter Dictionary of English Furniture, London, rev. ed. 1977, p. 456, pl. 46.
G. Beard, The Work of Robert Adam, Edinburgh, 1978, pp. 25, 66, pl.55.
G. Jackson-Stops, (ed.) The Treasure Houses of Britain: Five Hundred Years of Private Patronage and Art Collecting, Yale, 1985, pp. 332-3.
G. Beard & C. Gilbert (eds.), The Dictionary of English Furniture-Makers 1660-1840, Leeds, 1986, p. 166.
J. Fowler and J. Cornforth, English Decoration in the 18th Century, London/Melbourne, rev. ed. 1986, pp. 45, 187, fig. 173.
G. Beard, 'Robert Adam's 'artificiers', Antiques, June 1987, pp. 1292-1303, fig. p. 1295.
G. Beard and J. Goodison, English Furniture 1500-1840, London, 1987, pp. 118, 136.
J. Bryant, 'Back as Adam intended', Country Life, 3 November 1988, pp. 192-5.
N. Harris, Chippendale, New Jersey, 1989, pp. 84-5, 95-7, 102-3.
C. Simon Sykes, Private Palaces: Life in the Great London Houses, London, 1989, p. 200.
D. King, The Complete Works of Robert and James Adam, Oxford,1991, pp. 307-8, pl. 431.
S. Pryke, 'Revolution in Taste', Country Life, 16 April 1992, pp. 102-5, figs. 3 & 4.
D. Linley, Classical Furniture, London, 1993, p. 111.
C. Wilk, ed., Western Furniture 1350 to the Present Day, London, 1996, p. 118-9.
C. Gilbert, 'Chippendale and Adam Triumphant', Christie's International Magazine, July-August 1997, pp. 22-24.
J. Sellars (ed.), The Art of Thomas Chippendale: Master Furniture Maker, Leeds, 2000, p. 52, fig. 38.
E. Harris, The Genius of Robert Adam: His Interiors, New Haven and London, 2001, p. 14.
London, Lansdowne House, Loan Exhibition of English Decorative Art, 1929.