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Lot Essay
At the top of this painting is a register depicting all the lineage teachers of the Guhyasamaja tradition according to Sakya practice, identifying this painting as a Sakya Tradition painting.
The figures in the innermost circle surrounding the central figures are (clockwise):
Amitabha and Pandara Vasini (red male and female)
Amoghasiddhi and Samaya Tara (green male and green female)
Vairochana and Buddha Lochani (white male and female)
Ratnasambhava and Mamaki (yellow male and blue female)
Mamaki (green male and green female)
In the corners of the blue field between the circle and central square, seated against red mandalas, are the four female figures representing the qualities of desire. Outside of that, seated in the multicolored band are the Eight Bodhisattvas and ten wrathful gate and door keepers. At the lower left is the wrathful protector deity Panjarnata Mahakala, and at lower right is Vaishravana.
The figures in the innermost circle surrounding the central figures are (clockwise):
Amitabha and Pandara Vasini (red male and female)
Amoghasiddhi and Samaya Tara (green male and green female)
Vairochana and Buddha Lochani (white male and female)
Ratnasambhava and Mamaki (yellow male and blue female)
Mamaki (green male and green female)
In the corners of the blue field between the circle and central square, seated against red mandalas, are the four female figures representing the qualities of desire. Outside of that, seated in the multicolored band are the Eight Bodhisattvas and ten wrathful gate and door keepers. At the lower left is the wrathful protector deity Panjarnata Mahakala, and at lower right is Vaishravana.