• Christies auction house James Christie logo

    Sale 7561

    Simon Sainsbury The Creation of an English Arcadia

    18 June 2008, London, King Street

  • Lot 205

    Arthur Devis (London 1712-1787)

    A Roman capriccio with the Castel Sant'Angelo and Trajan's Column, and other ruins, with figures

    Price Realised  

    Estimate

    Arthur Devis (London 1712-1787)
    A Roman capriccio with the Castel Sant'Angelo and Trajan's Column, and other ruins, with figures
    signed and dated 'ADevis 1736.' ('AD' linked, lower centre)
    oil on canvas
    24½ x 29in. (62.2 x 73.7 cm.)


    Contact Client Service
    • info@christies.com

    • New York +1 212 636 2000

    • London +44 (0)20 7839 9060

    • Hong Kong +852 2760 1766

    • Shanghai +86 21 6355 1766

    Arthur Devis left his native Preston, Lancashire, for London in the early 1730s, where he worked initially in the studio of the Netherlandish artist Peter Tillemans (1684-1734). Tillemans, who had arrived in London from Antwerp in 1708, was chiefly employed as a copyist of old master pictures at the outset of his career, but later specialised in landscape and sporting scenes, to which he brought new life by infusing them with elements of the Netherlandish tradition of the 'conversation piece'. While working in Tillemans' studio, before Tillemans' departure from London for the countryside in 1733 and death the following year, Devis seems to have specialised as a painter of Italianate views. Included in the auction that Tillemans held of his possessions before his move to the country were works by his students, among which were nine pictures by Devis, which consisted of copies after Panini, Marco Ricci and Van Bloemen.

    This picture is the only known surviving example of this aspect of Devis' artistic output which seems to have provided his principal source of income before he began to specialize in 'conversation pieces', for which he is now best known, in the mid 1730s. Devis, however, never completely abandoned his interest in Italianate view painting and many of his conversation pieces are set in interiors which are decorated with such pictures. These may well record compositions of his own, as well as copies of works by Italian masters. D' Oench suggests that this capriccio may have been copied from Arthur Pond's Ruins, after Pannini, which includes a nearly identical setting and figural group, which was last recorded at Shrubland Park collection (op.cit., p. 93). Interestingly, a capriccio that is almost identical, but of different format, appears in the background of Devis' magnificent conversation-piece of the Crewe family of circa 1743-4, which is included in the sale as lot 204.

    Special Notice

    No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.


    Provenance

    Acquired from Leger Galleries, June 1987.


    Literature

    S. Pavière, The Devis Family of Painters, Leigh-on-Sea, 1950, p. 80, as by Anthony Devis.
    E. Waterhouse, Painting in Britain 1530-1790, London, 1978, p. 144.
    E.G. D'Oench, Arthur Devis, Master of the Georgian Conversation Piece, Doctorial Dissertation, Yale, 1979, pp. 28, 495-498.
    E. G. D'Oench, The Conversation Piece: Arthur Devis and his Contemporaries, New Haven, 1980, list no. 271.