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    Sale 7446

    Important Old Master & British Pictures Including works from the Collection of Anton Philips

    6 December 2007, London, King Street

  • Lot 15

    Attributed to Bernardo Pintoricchio (Perugia 1454-1513 Siena)

    The Madonna and Child

    Price Realised  


    Attributed to Bernardo Pintoricchio (Perugia 1454-1513 Siena)
    The Madonna and Child
    oil on canvas, transferred from panel
    21½ x 15½ in. (55 x 39.5 cm.)
    in a 16th century carved and partly-gilded Tuscan frame

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    The design of this Madonna was evidently inspired by Perugino's Pala dei Decimviri (now in the Pinacoteca Vaticana), painted for the chapel of the Palazzo dei Priori at Perugia. Although probably designed by 1485, this was not finished until 1496 although it was evidently known to Giovanni Santi at an earlier date. Pintoricchio reverses the pattern, but turns the head of the Virgin to face in the same direction as Christ and alters the position of the left hands of both the Virgin and the Child, introducing the swathe of yellow drapery pulled up to reveal the latter's stomach.

    The reference to the Pala dei Decimviri was no doubt deliberate and this suggests a date of circa 1495-1502 when the artist was based at Perugia. It seems likely that the picture antedates the altarpiece of 1506 in the church of Sant'Andrea at Spello, as the Child in that panel is an elongated variation of the same prototype, his left arm now stretched across the Virgin's shoulder. The better preserved passages of this panel, the top of Christ's head and his yellow drapery, parts of the Virgin's left hand and the landscape would seem to be worthy of Pintoricchio himself. A variant, in a gold ground, in which the Child is in a tunic, originally in the Saxon royal collection was sold at Sotheby's, 23 March 1969, lot 103 (F. Todini, La Pittura Umbra, Milan, 1989, p. 290, as Pintoricchio, 'parzialmente ridipinta').

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    From time to time, Christie's may offer a lot which it owns in whole or in part. This is such a lot.


    Acquired by Anton Philips in 1925, and recorded in 1928 as hanging in the hall at De Laak.
    Thence by descent.