• Impressionist Modern Day Sale auction at Christies

    Sale 2217

    Impressionist Modern Day Sale

    4 November 2009, New York, Rockefeller Plaza

  • Lot 277

    Robert Delaunay (1885-1941)

    Etude pour La grande portugaise

    Price Realised  

    Robert Delaunay (1885-1941)
    Etude pour La grande portugaise
    oil and wax on paper laid down on cradled panel
    19 5/8 x 25 in. (49.8 x 63.5 cm.)
    Executed in Portugal, 1915


    Contact Client Service
    • info@christies.com

    • New York +1 212 636 2000

    • London +44 (0)20 7839 9060

    • Hong Kong +852 2760 1766

    • Shanghai +86 21 6355 1766

    Contact the department

    Richard Riss has confirmed the authenticity of this painting.

    With the outbreak of the First World War, Delaunay moved to Portugal with his wife, Sonia; first residing in Vila do Count, and then in Valençia do Minho, where they remained until 1918. This temporary exodus from Paris, where Delaunay himself had been at the forefront of the Orphism movement and found incredible stimulus from the artistic epicenter of Europe, was a period of calm and renewal for both artists. In Portugal he continued to paint actively, experimenting in wax and with the playful juxtaposition of color and nuanced, distorted forms. Inspired by the simple life of his adopted country and bathed in the brilliant sun of his new surroundings, he described the "violent contrasts of colored marks, women's clothing, striking shawls of delicious, metallic greens, watermelons. Forms and colors: women disappearing in mountains of pumpkins, vegetables, enchanting markets" (quoted in P. Francastel, Robert Delaunay, Du cubisme à l'art abstrait, Paris, 1957, p. 127).

    The present work is closely related to the major wax painting of the same title at the Museo Thyssen-Bornemisza, Madrid, which portrays the same figure, wearing her distinctive flowered shawl, bent in concentration and balancing two enormous abstracted pumpkins between her hands. The Portugaises are of great importance in that they serve to underline the artist's progression towards an art in which color and design are on equal footing in the conception of the work as a whole, anticipating his later and purely abstract Rythmes series.

    (fig. 1) Robert Delaunay, La grand portugaise, 1916, wax on canvas, Museo Thyssen-Bornemisza, Madrid.

    Provenance

    Anon. sale, Hôtel Drouot, Paris, 27 November 2004, lot 135.
    Anon. sale, Sotheby's, New York, 4 May 2005, lot 213.
    Acquired at the above sale by the present owner.


    Exhibited

    Barcelona, Museu Picasso y Museu Tèxtil i d'Indumentària, Robert y Sonia Delaunay, October 2000-January 2001, p. 158 (illustrated).