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From the Collection of Arnold Newman;
acquired by present owner.
Weaver & Wolf, The Art of Photography 1839-1989, Yale University, no.422, in the accompanying essay 'Scenes of Conflict', David Mellor situates this work in the category of 'epic...[with] recourse to the spaces of late-nineteenth-century panorama-paintings of Russian history...[in its] sweep of space and narrative' (p.391);
Rosenblum, A World History of Photography, Abbeville, 1997, p.481, pl.613, there titled, 'Identifying the Dead, Russian Front'.