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From an edition of ten silver gelatin prints made in 1993 and signed by photographer and sitter on the occasion of their first re-encounter since the 1963 shoot. Each retained half of the edition. The present print was among those retained by Morley.
Lewis Morley: Photographer of the Sixties, National Portrait Gallery, London, 1989, p.16, front cover (detail) & pl.10; Morley, Black and White Lies, Angus & Robertson, 1992, within cover & pp.108-09; Keeler & Thompson, The Truth at Last -- My Story, Sedgwick & Jackson, 2001, pp.188-89; Keaney, Lewis Morley Myself and Eye, National Portrait Gallery, London, 2003, pl.2; Haworth-Booth (ed.), The Folio Society Book of The 100 Greatest Photographs, The Folio Society, 2006, p.173.