• Indian and Southeast Asian Art auction at Christies

    Sale 2195

    Indian and Southeast Asian Art

    16 September 2009, New York, Rockefeller Plaza

  • Lot 791

    A Gilt Bronze Figure of Avalokiteshvara

    TIBETO-CHINESE, 15TH CENTURY

    Price Realised  

    A Gilt Bronze Figure of Avalokiteshvara
    Tibeto-Chinese, 15th Century
    Seated in dhyanasana on a double-lotus base with scrolling petal tips and beaded rims, the right foot resting on an extended lotus blossom, the hands in varada- and vitarkamudras, clad in a flowing dhoti secured with a jeweled belt, adorned multiple necklaces and earrings, the benevolent face with raised urna surmounted by a high chignon and secured with an elaborate tiara, with a double-vajra incised on the base
    11 in. (28 cm.) high


    Contact Client Service
    • info@christies.com

    • New York +1 212 636 2000

    • London +44 (0)20 7839 9060

    • Hong Kong +852 2760 1766

    • Shanghai +86 21 6355 1766

    Contact the department

    During the Yuan Dynasty in the 13th and 14th centuries, the authority of Mongol rulers had become closely associated with Tibetan Buddhist or Lamaist rituals. At the beginning of the 15th century, the Buddhist fervor of the Ming court stimulated a cross-cultural and artistic exchange between Tibet and China. Emperor Yongle (1403-25), a devout Buddhist himself, bestowed generous patronage to Buddhist monasteries and artistic ateliers, fostering the production of artworks depicting Tibetan Buddhist deities and imagery in a highly refined style, executed with the highest level of technical mastery. Gilt bronzes were commissioned from the Imperial workshops in Beijing for personal religious practices and as gifts for the many Tibetan emissaries invited to the court. The practice continued under his successor Xuande with gradual decline.
    Generally standardized in three different sizes, this bronze belongs to the largest size group. While it does not bear the reign mark, it can be dated to the first half of the 15th century based on the close proximity in style to the Yongle/Xuande idiom. It would likely represent Avalokiteshvara Padmapani, holding lotus stalks with separately cast lotus flowers originally flanking his shoulders. For another closely related form with the Yongle mark, see Chang Foundation, Buddhist Images in Gilt Metal, 1993, p. 115, cat. no. 50.

    Provenance

    Acquired from J.S. Graham, New York, 16 December 1970


    Pre-Lot Text

    Property from the Collection of Raymond J. Saulnier