A PAIR OF MASSIVE FRENCH PARCEL-GILT AND PATINATED BRONZE-MOUNTED CHINESE CLOISONNE ENAMEL URNS ON HARDWOOD STANDS
A PAIR OF MASSIVE FRENCH PARCEL-GILT AND PATINATED BRONZE-MOUNTED CHINESE CLOISONNE ENAMEL URNS ON HARDWOOD STANDS
A PAIR OF MASSIVE FRENCH PARCEL-GILT AND PATINATED BRONZE-MOUNTED CHINESE CLOISONNE ENAMEL URNS ON HARDWOOD STANDS
2 More
A PAIR OF MASSIVE FRENCH PARCEL-GILT AND PATINATED BRONZE-MOUNTED CHINESE CLOISONNE ENAMEL URNS ON HARDWOOD STANDS
5 More
PROPERTY FROM THE WESTERVELT COMPANY
A PAIR OF MASSIVE FRENCH PARCEL-GILT AND PATINATED BRONZE-MOUNTED CHINESE CLOISONNE ENAMEL URNS ON HARDWOOD STANDS

ATTRIBUTED TO FERDINAND BARBEDIENNE, BASED ON A DESIGN BY EDOUARD LIÈVRE, PARIS, CIRCA 1870, THE ENAMEL CHINESE AND 19TH CENTURY

Details
A PAIR OF MASSIVE FRENCH PARCEL-GILT AND PATINATED BRONZE-MOUNTED CHINESE CLOISONNE ENAMEL URNS ON HARDWOOD STANDS
ATTRIBUTED TO FERDINAND BARBEDIENNE, BASED ON A DESIGN BY EDOUARD LIÈVRE, PARIS, CIRCA 1870, THE ENAMEL CHINESE AND 19TH CENTURY
Each turquoise-ground urn with polychrome floral and dragon reliefs to each side, the lip set with six dragons heads and two large pierced scrolled handles, the base mounted with four turtles, on scrolled-trunk elephant head legs, on bronze-mounted hardwood plinths with paw feet, each stand indistinctly stamped under base [...NTIDARUM LDR
Overall: 79 in. (204.5 cm.) high, 44 in. (111.75 cm.) diameter
Provenance
Count Burnay of Portual, Palácio da Junqueira, Lisbon, as shown in a photograph of the entrance hall circa 1933.
Sold Condes de Burnay, Palácio da Junqueira, Lisbon, 1934, lot 53.
Anonymous sale, Irineu Angulo Auction House, Sao Paolo, 12 April 1948, lot 514.
Anonymous sale, Christie's, New York, 29 September 1999, lot 250.
Sale room notice
Please note that Christie's has confirmed further provenance for this lot:

Count Burnay of Portual, Palácio da Junqueira, Lisbon, as shown in a photograph of the entrance hall circa 1933.
Subsequently sold at public auction by the Counts Burnay in 1934.


Lot Essay

The design for these monumental jardinières may be attributed to Edouard Lièvre (d.1886) based upon the distinctive elephant-head feet, which are found in his iconic japonisme oeuvre, particularly on a superb garniture de cheminée conceived by Lièvre in 1875 and on an aquarium of the same date (Connaissance des Arts, No. 228, 'Edouard Lièvre', Paris, 2004, pp. 28, 31 and 34). Bejeweled and exotic elephant heads regularly appear in Lièvre's designs, often heading support elements, for example on marble-topped stand whose design was executed by the fondeur Maison Marnyhac, a contemporary of Barbedienne, for the haut-luxe retailer L'Escalier de Cristal (op.cit., pp. 6 and 26), another stand with strikingly similar dual-patination sold Christie's, New York, 21 October 2008, lot 272.

The resurgence of interest in China and specifically cloisonné enamel works was was fueled in France by Napoleon III and Empress Eugénie. By February 1861, immense caches of enamels were on display to the public at the Tuileries in Paris and then in 1863 at Fontainebleau where rooms were remodeled to complement the exhibits with furnishings in the Chinese taste supplied by French makers.

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