• Important Silver and Objects o auction at Christies

    Sale 2209

    Important Silver and Objects of Vertu Including the Inventory of Marks Antiques of London

    22 October 2009, New York, Rockefeller Plaza

  • Lot 78

    A FRENCH SILVER-GILT, ENAMEL AND ROCK CRYSTAL CUP

    ENGRAVED MOREL & CIE., PARIS, 1842-1848

    Price Realised  

    A FRENCH SILVER-GILT, ENAMEL AND ROCK CRYSTAL CUP
    ENGRAVED MOREL & CIE., PARIS, 1842-1848
    The circular silver-gilt foot with masks and openwork scrolls, surrounding a rock crystal base and stem, mermaid and merman, the rock crystal cup engraved with scrollwork and supported by openwork calyx with masks and set with two peacock and mask handles, the baluster stem applied with enamel accolé coat-of-arms, the base of bowl engraved MOREL & CIE. RUE NVE ST. AUGISTIN 39 A PARIS
    9¼ in. (23.5 cm.) high


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    Lots 78-80 are the work of J-V Morel (1794-1860), one the 19th century's most accomplished goldsmiths and lapidaries whose extraordinary hardstone and enamel works were shown to great acclaim at the 1844, 1851 and 1855 expositions. Morel's work, always of the finest quality, was also characterized by diversity of styles as reflected in the Renaissance, French and Islamic influences of these lots. Despite Morel's critical success in London and Paris and his impressive list of patrons, his career was plagued by dramatic business and financial woes. For further information, see Isabelle Lucas, "The Revival of the Lapidary's Art," Apollo, January 2005, pp. 48-54.

    This previously unrecorded example of Morel's work relates closely to a rock crystal cup exhibited to great acclaim at the 1844 Paris Exhibition. Le Petit Courier des Dames described a rock crystal cup as follows: montée sur un pied du style siezième siècle, avec figurines d'argent et monstres marins à croupe d'émail vert, tandis que sur les deux anses ce sont deux paons tout ruisselants d'or, d'azur et d'éblouissants reflets, qui font miroiter leur queue en éventail de pierreries.

    This cup, which dates between 1842 and 1848 (based on the business address engraved on the mounts), shares these same motifs, but lacks Morel's characteristic enamel work, except for the coat-of-arms. A related example with bird, scroll and foliage mounts was exhibited at the Great Exhibition of 1851 and is illustrated below.

    The arms are those of Michel Louis Felix Ney (1804-1854) and Marie Josephine Southam (1801-1889), who married in 1834. He was the son of the celebrated Napoleonic marshal, duc d'Elchingen (1769-1815).

    Caption:
    Mounted agate cup exhibited by J-V Morel at the Great Exhibition, London, 1851.

    Pre-Lot Text

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