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    Sale 11628

    THE OPULENT EYE:19TH CENTURY FURNITURE, SCULPTURE, WORKS OF ART, CERAMIC & CARPETS

    19 April 2016, New York, Rockefeller Plaza

  • Lot 132

    A LARGE SEVRES PORCELAIN PATE-SUR-PATE VASE, ‘A LA PLUS BELLE’ (VASE D’ANGERS)

    DATED 1912, BLACK STENCILED TRIANGLE AND S MARK AND RF DECORE A SEVRES MARKS FOR 1912, GILT HU. FOR HENRI LOUIS LAURENT ULRICH, INCISED POTTER'S I105PN, SIGNED L.(UCIEN) D’EAUBONNE

    Price Realised  

    Estimate

    A LARGE SEVRES PORCELAIN PATE-SUR-PATE VASE, ‘A LA PLUS BELLE’ (VASE D’ANGERS)
    DATED 1912, BLACK STENCILED TRIANGLE AND S MARK AND RF DECORE A SEVRES MARKS FOR 1912, GILT HU. FOR HENRI LOUIS LAURENT ULRICH, INCISED POTTER'S I105PN, SIGNED L.(UCIEN) D’EAUBONNE
    Finely painted and hand-tooled in pale-green slip with a continuous frieze of figures offering tributes to Venus, a peacock and love birds at her feet, against colonnade draped with ivy, the neck and foot with a pink and gilt frieze of fruit and leaves
    36 ½ in. (92.7 cm.) high


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    The present vase entered the saleroom at Sèvres on 7 May 1912. Described as Vase d’Angers de 1m10 PN pate gravure et sous couvert L’Offrande à la Beauté’, 2500 francs of the 3510 francs it cost to produce the vase went to d’Eaubonne for its decoration [Vr’1e serie, No 7, Fol. 140vo].

    Lucien Jules Clément d’Eaubonne is recorded as a painter at Sèvres 1902-1914 where his designs in pâte-sur-pâte were thought to be "particularly original" and often inspired by Breton genre scenes. His works are almost always rendered within a rectangular panel, so having the full, continuous view on the present vase is quite unusual. See B. Bumpus, Pâte-sur-Pâte, The Art of Ceramic Relief Decoration, 1849-1992, London, 1992, p. 46 and p. 220.

    Henri Louis Laurent Ulrich is recorded as a gilder at Sèvres active 1879-1925.

    Pre-Lot Text

    PROPERTY FROM A PRIVATE TENNESSEE COLLECTION