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    Sale 2267

    Fine Chinese Ceramics & Works of Art Including Jades from the Fine Arts Museums of San Francisco

    18 March 2009, New York, Rockefeller Plaza

  • Lot 457


    Price Realised  


    The recumbent mythical bird shown with head turned slightly to the left, the tips of the wings ending in upswept curls and its long tail feathers curling under its body which rests on its pronounced clawed feet, the knop of the cover formed by a smaller phoenix with backward-turned head, its breast resting against a thick loop, the stone of pale yellow tone with some areas of opaque pale beige mottling
    6¾ in. (17.1 cm.) high, wood stand

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    The form of the current vessel strongly resembles both the ancient bronze bird-form vessels and those works of the 18th century that imitated them. See a bird-form zun excavated from Taiyuan in 1988, dated to the late Spring and Autumn period, illustrated in Selected Cultural Relics from Local Museums in Shanxi, Shanxi, 1995, p. 84, no. 123. As on the present lot, the aperture at the top of the back retains a cover, although on the excavated example, it is attached to the handle by a chain.

    By the Qianlong period, the interest in the reproduction of archaic forms had reached its peak. See an archaistic bronze bird-form vase on wheels, illustrated by R. Kerr in Later Chinese Bronzes, Victoria and Albert Museum, 1990, p. 77, where the author also illustrates a page from the 1908 version of the Xiqing Gujian (Catalogue of Xiqing Antiquities), originally compiled in 1749, detailing a bird-form vase on wheels. This popular form was copied by artists of the period who worked in a multitude of media, although jade seems to be amongst the most favored. See a Qianlong period jade fenghuang bearing a large vase on its back, illustrated in Zhongguo Yuqi Quanji - 6 - Qing, Hebei, 1991, p. 151, no. 229. However, this form continued to remain popular well after the Qianlong period, as evidenced by another example of the type in green jade, illustrated ibid., p. 104, no. 156, where it is dated to the late Qing dynasty.


    Sir Hugh A. Ford Collection.
    The House of Jade, New York, February 1963.