AN AUDENARDE TENIERS TAPESTRY,
This lot is exempt from Sales Tax. PROPERTY FROM THE JANE VOORHEES ZIMMERLI ART MUSEUM AT RUTGERS, THE STATE UNIVERSITY OF NEW JERSEY, SOLD TO BENEFIT THE ACQUISITIONS FUND
AN AUDENARDE TENIERS TAPESTRY,

EARLY 18TH CENTURY, AFTER ALEXANDRE VAN BREDAEL,

Details
AN AUDENARDE TENIERS TAPESTRY,
early 18th century, after Alexandre van Bredael,
depicting Le Marchand des Lunettes, with an eyeglass vendor with two maidens within an open landscape surrounded by a foliate scrolling border with blue outer slip
152¾in (388cm.) high, 118½in. (301cm.)
Special notice
This lot is exempt from Sales Tax.

Lot Essay

Teniers scenes are named after David II (1610 - 1690) and David III (1638 - 1685) Tenier's, both painters of genre scenes. Although none of the multitude of tapestries known as Teniers tapestries that were woven in the numerous weaving centers can be linked to any of their specific designs, documents of the very early 18th century already refer to these tapestries as such. It is usually difficult to link specific designers to Teniers subjects, however correspondences between the merchant Pieter van Verrren and the figure painter Alexandre van Bredael (1663 - 1720) of 1700 reveal him as the designer of this particular subject. It is possible that the landscapes may have been drawn by Pieter Spierinckx, particularly since such a collaboration between Bredael and Spierinckx on Teniers tapestries is mentioned in documents of 1707 (I. de Meûter, M. Vanwelden, Tapisseries d'Audenarde du XVIe au XVIIIe siècle, Tielt, 1999, p. 235).

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