Sir Joshua Reynolds, P.R.A. (Plympton, Devon 1723-1792 London)
Sir Joshua Reynolds, P.R.A. (Plympton, Devon 1723-1792 London)

Portrait of Richard, 2nd Baron Edgcumbe (1716-1761), small three-quarter-length, in Peer's robes over a dark blue velvet suit

Details
Sir Joshua Reynolds, P.R.A. (Plympton, Devon 1723-1792 London)
Portrait of Richard, 2nd Baron Edgcumbe (1716-1761), small three-quarter-length, in Peer's robes over a dark blue velvet suit
oil on oak panel
10 x 8 in. (25.4 x 20.3 cm.)
Provenance
(possibly) Matthew Fortescue (1719-1785) and by descent to his grandson,
George Fortescue (1791-1877).
Anonymous sale; Sotheby's, London 19 March 2003, lot 43.
Literature
W. Cotton, Sir Joshua Reynolds and his Works: Gleanings from his Diary, unpublished manuscripts, and from other sources, London, 1856, p. 87.
D. Mannings, Sir Joshua Reynolds: A Complete Catalogue of His Paintings, New Haven and London, 2000, I, p. 177, no. 562; II, p. 256, fig. 449.
Sale room notice
Please note that this lot has been withdrawn.

Lot Essay

Richard Edgcumbe was the eldest son of Richard, 1st Baron Edgcumbe (bap. 1680, d. 1758), and his wife Matilda Furnese (d. 1721). As a young boy, Edgcumbe, who drew and painted, was a close friend of Joshua Reynolds and his father was one of Reynolds’ first patrons. Edgcumbe went on to become a politician and held various positions throughout his career, including Lord of Trade, Lord of the Admiralty, Comptroller of the Household and Lord Lieutenant of Cornwall. As a Member of Parliament he represented the boroughs of Plympton Erle from 1742-47, Lostwithiel from 1747-54 and Penryn from 1754-58. Edgcumbe was a man-about-town and a friend of Horace Walpole, George Selwyn and Gilly Williams. Indeed, Reynolds painted for Walpole a group portrait of Edgcumbe, Selwyn and Williams, entitled A Conversation Piece. Edgcumbe was also a habitual gambler, regularly losing 20 guineas a day at White's Club. He had four children with a mistress, but died unmarried and was succeeded by his brother George, 1st Earl of Mount Edgcumbe (1720-1795). The present lot is a variant of a larger portrait by Reynolds, which was destroyed by bombing in World War Two. Mannings notes that the format is unusual, though not unique. (op.cit. p.177).

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