Hockney masterpiece breaks world record in New York

David Hockney’s Portrait of an Artist (Pool with Two Figures), painted in 1972, realises $90.3 million — a world record price for a living artist — as 20th Century season total passes the $1 billion mark

History was made in Christie’s New York salerooms when David Hockney’s seminal Portrait of an Artist (Pool with Two Figures)  sold for $90,312,500 (£70,227,449), a world record price for a living artist.

The painting was the top lot in the Post-War and Contemporary Art Evening Sale, which totalled $357,622,500 (85 per cent sold by lot and 93 per cent by value). The figure pushes the combined total for 20th Century season to $1,011,587,875, with the final sales to come on Friday.

Watch a replay of the auction — for all results see below

Hockney’s 1972 masterpiece combines two of his most celebrated motifs — the swimming pool and the double portrait — and appeared on the cover of the catalogue for his recent retrospective, which opened at Tate Britain in February 2017 before touring to the Centre Georges Pompidou in Paris and the Metropolitan Museum in New York.

Inspired by the serendipitous juxtaposition of two photographs on his studio floor, Hockney abandoned his first attempt at the painting in 1971 before returning to the idea in April of the following year. With an exhibition at New York’s André Emmerich Gallery due to open just four weeks later, the 24-year-old Englishman worked 18 hours a day for two weeks, finally finishing the night before the shippers came to transport the painting to the United States. 

Portrait of an Artist (Pool with Two Figures)  was offered without a reserve. The bidding opened at $18 million and quickly passed the previous record for a work by a living artist — $58,405,000 for Balloon Dog (Orange) by Jeff Koons set in 2013 at Christie’s. After a contest lasting more than nine minutes, applause rang out as the hammer finally came down to confirm the record price.

David Hockney (b. 1937), Portrait of an Artist (Pool with Two Figures), painted in 1972. Acrylic on canvas. 84 x 120  in (213.5 x 305  cm). Sold for $90,312,500 on 15 November 2018 at Christie’s in New York © David Hockney

David Hockney (b. 1937), Portrait of an Artist (Pool with Two Figures), painted in 1972. Acrylic on canvas. 84 x 120 in (213.5 x 305 cm). Sold for $90,312,500 on 15 November 2018 at Christie’s in New York © David Hockney

The sun-drenched Hockney was one of a host of impressive results on a bitterly cold night in Manhattan. Among them was Mark Rothko’s Untitled (Rust, Blacks on Plum)  from The Collection of François and and Susan de Menil, which achieved $35,712,500. 

Painted in 1962, in the immediate aftermath of the artist’s first retrospective at the Museum of Modern Art in New York, the work remained in Rothko’s personal collection until his death in 1970. The selection of works from the collection, which included four pieces by Joseph Cornell, totalled $43,967,500.

Richard Diebenkorn (1922-1993), Ocean Park #137, painted in 1985. 100 x 81  in (254 x 205.7  cm). Sold for $22,587,500 on 15 November 2018 at Christie’s in New York. [Catalogue raisonné no. 4608] © Richard Diebenkorn Foundation

Richard Diebenkorn (1922-1993), Ocean Park #137, painted in 1985. 100 x 81 in (254 x 205.7 cm). Sold for $22,587,500 on 15 November 2018 at Christie’s in New York. [Catalogue raisonné no. 4608] © Richard Diebenkorn Foundation

Ocean Park #137  by Richard Diebenkorn is a late work from the series inspired by the light and landscape of southern California. Formerly in The Collection of Mary Tyler Moore, this monumental 1985 canvas sold for $22,587,500.

Study of Henrietta Moraes Laughing, Francis Bacon’s final named portrait of the muse he painted between 1959 and 1969, was bought for $21,687,500. The work came from The Collection of S.I. Newhouse, the late co-owner of Condé Nast and one of the greatest collectors of the 20th century. 

Completing the top-five was Jean-Michel Basquiat’s Discography Two (1983), which testifies to the artist’s obsession with the heroes and martyrs of jazz, and realised $20,900,000.

Robert Colescott (1925-2009), Cultural Exchange, painted in 1987. 91 x 115  in (231 x 292  cm). Sold for $912,500 on 15 November 2018 at Christie’s in New York

Robert Colescott (1925-2009), Cultural Exchange, painted in 1987. 91 x 115 in (231 x 292 cm). Sold for $912,500 on 15 November 2018 at Christie’s in New York

Property from the Collection of Harry W. and Mary Margaret Anderson provided another highlight. The eight works in the sale, which were led by Alexander Calder’s Untitled and David Smith’s 5 Ciarcs, totalled $34,435,000 with more works to be offered on Friday. 

As well as the best works from the most prestigious private collections, the appetite for pictures by traditionally under-represented artists was another prominent theme on the night. Sam Gilliam’s Lady Day II  set the trend, establishing a new world auction record for the artist when it sold for $2,172,500. 

Later, a painting by Robert Colescott appeared in a Christie’s evening sale for the first time, with Cultural Exchange  (1987) selling for $912,500 — a new record for the artist. There were strong showings, too, for works by Vija Celmins, Cecily Brown, and Martin Puryear, who will be representing the United States in the Venice Biennale next year. 

Elsewhere, a record was set for a work on paper by Philip Guston, and Pierre Soulage’s Peinture 186 x 143 cm, 23 décembre 1959  realised $10,600,000, a new world record for the artist.

Finally, and fittingly, Wayne Thiebaud’s Happy Birthday Cakes, a 1962 painting that demonstrates the particular brand of Pop art that earned him critical acclaim, sold for $2,052,500 on the artist’s 98th birthday. Happy birthday Mr Thiebaud!