'French Masterpieces that One Day Will Belong to Art Institute', in The Chicago Daily News, June 1931, p. 14 (illustrated).
The Art Institute of Chicago, ed., A Brief Illustrated Guide to the Collections, Chicago, 1935, p. 30.
A.H. Barr, Jr., Picasso, Fifty Years of his Art, New York, 1946, pp. 19-20 (illustrated).
W.S. Lieberman, Picasso, Blue and Rose Periods, New York, 1955, pl. 7.
P. Pool, 'The Picasso Exhibition: The Most Important Four Rooms', in The Burlington Magazine, September 1960, p. 387.
The Art Institute of Chicago, ed., Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection, Chicago, 1961, no. 33.448, p. 356.
P. Daix, G. Boudaille & J. Rosselet, Picasso, The Blue and Rose Periods, a Catalogue Raisonné, 1900-1906, Neuchâtel, 1966, no. V.61, p. 182 (illustrated, titled 'On the Upper Deck (Omnibus)').
A. Blunt, 'Putting Picasso in His Place', in The New York Review of Books, March 1968, p. 12.
C. Zervos, Pablo Picasso, Supplément aux années 1892-1902, vol. 21, Paris, 1969, no. 168 (illustrated pl. 67).
S. Grung, Supplement to Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, Chicago, 1971, p. 86.
L. Steinberg, 'The Philosophical Brothel, Part 1', in Artnews, 71:5, September 1972, pp. 22-23, 26 & 28 (illustrated fig. 15).
A.J. Speyer & C.G. Donnell, Twentieth Century European Painting, Chicago, 1980, no. 3C8, p. 62.
J. Palau i Fabre, Picasso, Life and Work of The Early Years 1881-1907, Oxford, 1981, no. 616, p. 241 (illustrated p. 240, titled 'On the Upper Deck').
L. Steinberg, 'The Philosophical Brothel', in exh. cat, Les Demoiselles d'Avignon, vol. 2, Musée Picasso, Paris, 1988, pp. 326-327 (illlustrated fig. III.4).
L. Steinberg, 'The Philosophical Brothel', in October, Spring 1988, pp. 22-23 (illustrated fig. 16).
C. Geelhaar, Picasso: Wegbereiter und Förderer seines Aufstiegs 1899-1939, Zurich, 1993, pp. 20 & 237 (illustrated figs. 9 & 266).
The Picasso Project, ed., Picasso's Paintings, Watercolors, Drawings and Sculpture: Turn of the Century, 1900-1901, Barcelona, Madrid and Paris, San Francisco, 2010, no. 1901-260, p. 181 (illustrated).
W. Anderson, Picasso's Brothel: Les Demoiselles d'Avignon, New York, 2002, pp. 91-93 (illustrated fig. 49).
Paris, Berthe Weill Gallery, November - December 1902.
Chicago, The Art Institute, The Mrs. L.L. Coburn Collection: Modern Paintings and Watercolors (Auspices of the Antiquarian Society of the Art Institute of Chicago), April - October 1932, no. 27, pp. 20 & 46 (illustrated).
Chicago, The Art Institute, A Century of Progress, Exhibition of Paintings and Sculpture, June - November 1933, no. 403, p. 56.
Chicago, The Art Institute, A Century of Progress, Exhibition of Paintings and Sculpture, June - November 1934, no. 359, p. 53.
New York, M. Knoedler & Co., Inc., Views of Paris, January 1939, no. 46 (illustrated p. 25, titled 'Sur le pont').
New York, Museum of Modern Art, Picasso, Forty Years of his Art, November 1939 - January 1940, no. 9, p. 25 (illustrated); this exhibition later travelled to Chicago, The Art Institute, February - March 1940; Boston, Museum of Fine Arts, April - May 1940.
Denver, Art Museum, A Retrospective Exhibition of Paintings, Drawings, Sculpture and Prints by Picasso, April - May 1945.
New York, M. Knoedler & Co., Inc., Picasso before 1907, October - November 1947, no. 4 (illustrated).
Dallas, Museum of Fine Arts, The Winterbotham Collection of European Paintings, October - November 1949.
Omaha, Nebraska, Joslyn Memorial Art Museum, Twentieth Anniversary Exhibition, The Beginnings of Modern Painting: France 1800-1910, October - November, 1951.
Chicago, The Art Institute, Gallery of Art Interpretation: Presenting the Art Institute's Picassos, September - December 1955.
London, The Tate Gallery, Picasso, July - September 1960, no. 10, p. 15 (illustrated pl. 4f).
Chicago, The Art Institute, Picasso in Chicago, February - March 1968, no. 4 (illustrated).
New York, Museum of Modern Art, Picasso Retrospective, May - September 1980, p. 39 (illustrated).
Washington, D.C., The National Gallery of Art, Picasso: The Early Years 1892-1906, March - July 1997, no. 53, pp. 152 & 355 (illustrated); this exhibition later travelled to Boston, Museum of Fine Arts, September 1997 - January 1998.