Jutta Koether's abstract paintings, with their translucent interconnected web patterns, fragments of texts and songs, are like a portrait of the artist in our times. She is a painter, but not only that. Interweaving soft, sinuous brushwork and delicate colouring with bold cartoon-style figuration and graffiti-making is just part of a bigger whole - an interdisciplinary artistic practice overlapping performance, music, writing and other activities, and reflecting her strong, feminist, punk/pop-influenced engagement with contemporary theory and culture.
Frontage (Well, Show Me Nothing), 1994, features an exploding cartoon bubble at its centre, from which contradicting lines, figurative elements and letters radiate and intersect in thinned pastel shades. The lines recalling railway maps, a hand holding dollar bills in the upper right-hand corner and an open one at the centre of the canvas suggest multiple possible narratives in the sweeping abstract composition.