B.-M. Goodwin, Catalogue of European Paintings, Toledo, 1939, p. 260 (illustrated, p. 261).
M. Kellermann, André Derain: Catalogue raisonné de l'oeuvre peint, Paris, 1992, vol. I, p. 70, no. 112 (illustrated).
D.J. Kostyrko, The Journal of a Transatlantic Art Dealer, London, 2017, pp. 290-291.
Paris, Musée du Petit Palais, Les maîtres de l'art indépendant, 1895-1937, June-October 1937, p. 34, no. 8 (titled Les Barques).
Houston, The Museum of Fine Arts, Derain Before 1915, November 1961-January 1962 (dated 1904).
New York, M. Knoedler & Co., Inc., Seven Decades, 1895-1965: Crosscurrents in Modern Art, April-May 1966, p. 55, no. 82 (illustrated; dated 1905-1906).
London, Royal Academy of the Arts, Derain, September-November 1967, p. 27, no. 21 (illustrated; dated 1905-1906).
Los Angeles County Museum of Art; New York, The Metropolitan Museum of Art and London, Royal Academy of Arts, The Fauve Landscape: Matisse, Derain, Braque and their Circle, 1904-1908, October 1990-September 1991, p. 177 (illustrated in color, p. 176, pl. 178).
Paris, Musée d'art moderne de la ville de Paris, André Derain: Le peintre du 'trouble moderne', November 1994-March 1995, p. 470, no. 42 (illustrated in color, p. 71).
Sydney, The Art Gallery of New South Wales and Melbourne, National Gallery of Victoria, Fauves, December 1995-May 1996, p. 102, no. 33 (illustrated in color, p. 103).
Barcelona, Centre Cultural Caixa Catalunya, Les années fauves, 1904-1908, October 2000-January 2001, pp. 68 and 231, no. 11 (illustrated in color, p. 69; dated circa 1904).
London, The Courtauld Institute of Art, André Derain: The London Paintings, October 2005-January 2006, p. 128, no. 29 (illustrated in color, p. 129).