“United States’ Delegation, IIIrd Biennial of São Paulo,” San Francisco Museum of Art Bulletin, vol. 4, no. 1, 1955, p. 44 (illustrated).
H. B. Chipp, “Art News from San Francisco: Pacific Coast Leaders,” Art News, vol. 55, no. 5, September 1956, p. 18 (illustrated).
Los Angeles County Museum of Art, “Richard Diebenkorn: Paintings and Drawings, 1943-1976,” Members’ Calendar, August 1977, n.p.
G. J. Hazlitt, “Diebenkorn: The Painter’s Painter,” Hughes Airwest Sundancer, September 1977 (illustrated in color on the cover).
“L.A. Museum Views Diebenkorn Output,” Pasadena Star-News, 11 September 1977.
T. St. John, “Diebenkorn: A Retrospective Exhibition,” Art (Art Guild of the Oakland Museum Association), September-October 1977, p. 3.
B. Coffelt, “Doomsday in the Bright Sun,” San Francisco Sunday Examiner and Chronicle, 16 October 1977, p. 22 (illustrated).
N. Marmer, “Richard Diebenkorn: Pacific Extensions,” Art in America, vol. 66, no. 1, January-February 1978, p. 96 (illustrated in color).
P. Selz, Art in Our Times: A Pictorial History, 1890-1980, New York, 1981, p. 414, pl. 1126 (illustrated).
T. Albright, Art in the San Francisco Bay Area, 1945-1980: An Illustrated History, Berkeley, 1985, p. 66, fig. 57 (illustrated in color).
G. Nordland, Richard Diebenkorn, New York, 1987, pp. 69 and 73-74 (illustrated in color).
T. Frick, “Richard Diebenkorn,” MOCA Contemporary, vol. 1, no. 6, August-September 1992, p. I.
K. Lynch, “A sense of place, with ocean view,” The Capital Times, 16 January 1998 (illustrated).
J. Tully, “Revisiting a Legend,” Art and Auction, October 2002, p. 144.
Richard Diebenkorn: The Berkeley Years, 1953-1966, exh. cat., Fine Arts Museums of San Francisco, 2013, pp. 71 and 107, pl. 28 (illustrated in color on the cover of the dust jacket and illustrated in color).
J. Livingston and A. Liguori, eds., Richard Diebenkorn: The Catalogue Raisonné, Volume Two, Catalogue Entries 1-1534, New Haven and London, 2016, pp. 575-576, no. 1473 (illustrated in color).
São Paulo, Pavilion of the Nations, Ibirapuera Park; Rio de Janeiro, Mesbla Department Store, U.S. Representation: III Bienal do Museu de Arte Moderna, São Paulo; Pacific Coast Art, July-December 1955, no. 11.
San Francisco Museum of Art; Colorado Springs Fine Arts Center; Minneapolis, Walker Art Center; Dayton Art Institute; Cincinnati Art Museum; Boston, Institute of Contemporary Art; Los Angeles County Museum, Pacific Coast Art: United States’ Representation at the Third Biennial of São Paulo, May 1956-June 1957, p. 22 (illustrated).
Pasadena Art Museum, Richard Diebenkorn, September-October 1960, no. 20 (illustrated).
Washington, D.C., Washington Gallery of Modern Art; New York, Jewish Museum; Newport Beach, Pavilion Gallery, Richard Diebenkorn, November 1964-April 1965, p. 20, no. 21.
Los Angeles County Museum of Art, Late Fifties at the Ferus, November-December 1968, no. 6.
San Francisco, John Berggruen Gallery; Los Angeles, James Corcoran Gallery, Richard Diebenkorn: Early Abstract Works, 1948-1955, March-December 1975, n.p.
Buffalo, Albright-Knox Art Gallery; Cincinnati Art Museum; Washington, D.C., Corcoran Gallery of Art; New York, Whitney Museum of American Art; Los Angeles County Museum of Art; Oakland Museum of California, Richard Diebenkorn: Paintings and Drawings, 1943-1976, November 1976-November 1977, pp. 66 and 110, no. 25 (illustrated in color).
Los Angeles, Museum of Contemporary Art; San Francisco Museum of Modern Art, Richard Diebenkorn, September 1992-January 1993, no. 55.
New York, Whitney Museum of American Art; Modern Art Museum of Fort Worth; Washington, D.C., Phillips Collection; San Francisco Museum of Modern Art, Richard Diebenkorn, October 1997-January 1999, pp. 43, 137 and 271, no. 84 (illustrated in color).
Los Angeles County Museum of Art, Made in California: Art, Image, and Identity, 1900-2000, October 2000-February 2001, pp. 169 and 292 (illustrated in color).
New York, Gagosian Gallery, Ferus, September-October 2002, pp. 77 and 132 (illustrated in color).