London - Christie’s announces The Art of Literature, part of London Now, an exhibition showcasing a selection of artistic masterpieces inspired by literature through the ages. From depictions of scenes from Virgil’s Aeneid by the Old Masters, to the collaboration between artist Peter Doig and Nobel Laureate Derek Walcott, the connection between the visual and literary arts has given birth to extraordinary objects and texts. Artists and novelists, craftsmen and authors, painters and poets, have long referred to each other’s work for inspiration, creating a rich and venerable tradition which continues to this day.
Curated by the next generation of Christie’s specialists, co-curators of The Art of Literature, Victoria Gramm (Specialist, Post-War and Contemporary Art); Mark Wiltshire (Specialist, Books and Manuscripts) and Annabelle Scholar (Client Advisor, Client Advisory EMEA) comment, ‘It has been a pleasure to explore the connections between art and literature over the centuries, from illuminated manuscripts and canvases depicting Classical myths, to more contemporary connections between painting and poetry. We have united a fascinating selection embodying some of these connections, and look forward to welcoming visitors to Christie’s King Street to enjoy an exhibition which unites literary and artistic greats.’
Presented in two separate chapters, the first, The Art of Literature: Loan and Selling Exhibition will run from 6 June to 14 July. Comprising 50 works, the exhibition is curated to present the finest examples of works from categories including 20th and 21st Century Art, Islamic Art, Books and Manuscripts, Old Masters, 19th Century Art and Decorative Arts.
One highlight is Marlene Dumas, Magdalena (Venus), on loan, (illustrated on page 3 left) dating from 1995. The artwork of South African-born Dumas is inherently literary; her poems, which are written as a complement to her paintings, often tie together literary and artistic threads. In the case of Magdalena (Venus), the artist has written a poem with multi-layered allusions referencing Vladimir Nabokov, Sandro Botticelli and Simone de Beauvoir. These contrasting sources point to the complexity of the presentation of the female body in the history of art and literature.
A unique illuminated manuscript of Aesop’s Fables in French dating from c.1495 is another exceptional highlight (illustrated on page 3 right ). This literary masterpiece, combining text and painting in a single beautiful object, is the only known illuminated copy of Julien Macho’s popular French translation, with additional works by other fabulists, richly illustrated with sixty-six miniatures by an artist associated with the Master of the Chronique Scandaleuse. All but one fable is illustrated with a miniature depicting a central episode, sometimes even two, of the tale. The scenes are animated and precise evocations of the famous fables.
Also of particular note is John William Waterhouse’s Tristram and Isolde (illustrated on page 1). Often termed ‘the last Pre-Raphaelite’, Waterhouse painted this picture some 70 years after the formation of the Brotherhood. It shows the enduring appeal of Arthurian myth - in this episode of the chivalric romance, Irish princess Isolde offers the Cornish knight Tristram a chalice containing poison so they will not be forced to part – which has been substituted for a love potion. Painted at the height of the First World War, the picture carries undertones of romantic nationalism.
Christie’s is pleased to unite seven works by Lucian Freud from 1946, made during his association with French poet Olivier Larronde. Following the end of the Second World War, Freud spent the summer of 1946 in Paris where he embraced the French artistic and literary scene. This period was influential for Freud’s artistic practice and during his visit he connected with ground-breaking figures including Pablo Picasso and Alberto Giacometti. The result of this encounter is a painting of Larronde’s two parrots, The Birds of Olivier Larronde, and the accompanying five preparatory sketches. A further ink drawing of a caged bird was intended to be a bookplate for Larronde’s The Bird in the Gilded Cage, which never reached publication. Larronde died at the early age of 38, being honoured posthumously with France's first Prix de Littérature in 1965 – awarded a few weeks after his death.
The second chapter, The Art of Literature: Auction Highlights Exhibition, will run from 6 to 15 June, encompassing a selection of outstanding lots from across Christie’s summer season of auctions, including works from 20th/21st Century Post War and Contemporary Art in late June through to Classic Week in July. News regarding lots included in the upcoming auctions and in this week-long view will be announced in due course.
The Art of Literature will be accompanied by the return of a uniquely themed Christie’s Lates
taking place on 8 June - the perfect opportunity to mix with like-minded art lovers after
hours. Guests are invited to experience experimental poetry performances, calligraphy
workshops, curator led tours, literary-themed cocktails and much more. To book your place,
please see the link here
The Art of Literature Exhibition (loan and selling and auction highlights) is part of London Now, a summer season of events, complementing the marquee week auctions taking place in June and July. The Art of Literature Exhibition is open to the public and free to attend at Christie’s headquarters in the heart of London’s St James’s.
Please click here for drop box containing the images within the release.
*denotes open by appointment only on 6th June.
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