Josef Albers Prints

Josef Albers’ prints embody his rigorous exploration of colour, geometry and perception. Through series such as Homage to the Square and Formulation: Articulation, he used screenprinting and lithography to investigate how hues interact within precise compositional structures. Each Albers print functions as both experiment and meditation, revealing how subtle shifts in tone and proportion alter visual balance and depth. By translating his disciplined approach to the printed surface, Albers transformed printmaking into a laboratory for colour theory, uniting Bauhaus principles with the clarity and restraint of modern abstraction.

JOSEF ALBERS (1888-1976)

Gray Instrumentation I

JOSEF ALBERS (1888-1976)

Midnight and Noon

JOSEF ALBERS (1888-1976)

SP (Homage to the Square) , Editions Domberger, Stuttgart, 1967 (Denilowitz 175)

JOSEF ALBERS (1888-1976)

Homage to the Square : Ten Works by Josef Albers

JOSEF ALBERS (1888-1976)

White Line Squares, Series I

JOSEF ALBERS (1888-1976)

Gray Instrumentation II

JOSEF ALBERS

Josef Albers, Gray Instrumentation II , Tyler Graphics, Mount Kisco, New York, 1975 (D. 228)

JOSEF ALBERS (1888-1976)

Soft Edge-Hard Edge

JOSEF ALBERS

Gray Instrumentation II , Mount Kisco, New York, Tyler Graphics, 1975 (D. 228.1-12)

JOSEF ALBERS (1888-1976)

Ten Variants

JOSEF ALBERS (1888-1976)

SP : three plates

JOSEF ALBERS (1888-1976)

(i) Structural Constellation: Duo H (ii) Structural Constellation: Duo B

Josef Albers (1888-1976)

Gray Instrumentation I and II (D. 225-228)

JOSEF ALBERS

Josef Albers, Gray Instrumentation I , Tyler Graphics, Mount Kisco, New York, 1975 (D. 225)

JOSEF ALBERS (1888-1976)

White Line Squares (Series II) (Danilowitz 172.1-8)

JOSEF ALBERS (1888-1976)

Transformation A-D

JOSEF ALBERS

Homage to the Square , New Haven, Ives-Sillman, Inc., 1962; and Soft Edge-Hard Edge , New Haven, Ives-Sillman, Inc., 1965 (D. 156.1-10; and D.165. 1-10)

JOSEF ALBERS (1888-1976)

Formulation-Articulation

JOSEF ALBERS

Gray Instrumentation I (D. 225)

JOSEF ALBERS (1888-1976)

Structural Constellation : Duo H

JOSEF ALBERS (1888-1976)

White Line Squares (Series II) (Danilowitz 172)

JOSEF ALBERS (1888-1976)

Homage to the Square

JOSEF ALBERS (1888-1976)

Formulation Articulation I & II

Josef Albers (1888-1976)

Hommage au carré

JOSEF ALBERS

White Line Squares, Series I (D. 171.1-8)

JOSEF ALBERS (1888-1976)

Structural Constellation

JOSEF ALBERS (1888-1976)

White Line Square XII, from White Line Squares

Josef Albers (1888-1976)

Five plates, from Homage to the Square

JOSEF ALBERS (1888-1976)

W + P

JOSEF ALBERS (1888-1976)

I-S LXXII

JOSEF ALBERS (1888-1976)

Gray Instrumentation I j, from Gray Instrumentation I

JOSEF ALBERS (1888-1976)

Fenced

JOSEF ALBERS (1888-1976)

Soft Edge-Hard Edge , Ives-Sillman Inc., New York, 1965

After Josef Albers

4 Carrés: Bleu Gris Ocre Jaune

JOSEF ALBERS (1888-1976)

Josef Albers Honors the Hirshhorn Museum and Sculpture Garden , Ives-Sillman, Inc., New Haven, 1973

JOSEF ALBERS (1888-1976)

In the Cathedral: Small Middle Nave

JOSEF ALBERS (1888-1976)

KV-RW

JOSEF ALBERS (1888-1976)

I-S a

JOSEF ALBERS (1888-1976)

I-S a

JOSEF ALBERS (1888-1976)

Multiplex B

JOSEF ALBERS (1888-1976)

EK Ig, from Homage to the Square: Edition Keller

JOSEF ALBERS (1888-1976)

Formulation: Articulation

Josef Albers (1888-1976)

White Line Square XII, da: White Line Square II

JOSEF ALBERS (1888-1976)

White Line Squares, Series I: one print

JOSEF ALBERS (1888-1976)

IS : two prints

JOSEF ALBERS (1888-1976)

Gray Instrumentation IIa, from Gray Instrumentation II

JOSEF ALBERS

Four prints by the artist

JOSEF ALBERS (1888-1976)

Formulation Articulation I & II

JOSEF ALBERS (1888-1976)

I-S b

JOSEF ALBERS (1888-1976)

Gray Instrumentation I : five plates