Post-War and Contemporary Art Day Auction

So long, Tiger — enter the Rabbit

The best exhibitions and openings of 2023: Europe

‘I think we have some of the best photographers in the world’: why London is getting a new gallery for British photography

Jessica Lack

Reclaiming lost history: 25 years of the Washington Principles on Nazi-Confiscated Art

‘My women are beautiful in their individuality’

Unveiled for the first time in more than half a century

‘Sculpture is a catalyst for a re-engagement with the elements and matter’

Howard Hodgkin: ‘One of the very greatest painters of the last 50 years’

From the inside out — Basquiat’s Red Skull (1982)

New York New Wave: The Eighties artists who forged new directions for painting

Peter Doig’s Camp Forestia (1996)

‘An image that remains still in a world that is moving’

The insider’s guide to Frieze Week 2017

Malcolm Cossons

Basquiat’s Red Skull (1982) leads in London

Collecting Guide: Arte Povera

A guide to the CoBrA group: perhaps the last true avant-garde movement of the 20th century

RESULTS: Highest Total Realised for a Week of Post-War and Contemporary Art in Europe £179,609,000 / $235,144,681 / € 200,751,424