Post-War and Contemporary Art Evening Auction

So long, Tiger — enter the Rabbit

The best exhibitions and openings of 2023: Europe

‘We have some of the best in the world’: London’s new gallery devoted to British photographers

Jessica Lack

Reclaiming lost history: 25 years of the Washington Principles on Nazi-Confiscated Art

Boom for Real: Basquiat comes to London

‘My women are beautiful in their individuality’

Unveiled for the first time in more than half a century

‘Sculpture is a catalyst for a re-engagement with the elements and matter’

Masterworks from the Collection of Antoni Tàpies

Icons of the spirit and the flesh — Francis Bacon’s two greatest obsessions

Howard Hodgkin: ‘One of the very greatest painters of the last 50 years’

From the inside out — Basquiat’s Red Skull (1982)

New York New Wave: The Eighties artists who forged new directions for painting

Peter Doig’s Camp Forestia (1996)

‘An image that remains still in a world that is moving’

The insider’s guide to Frieze Week 2017

Malcolm Cossons

Basquiat’s Red Skull (1982) leads in London

Collecting Guide: Arte Povera

A guide to the CoBrA group: perhaps the last true avant-garde movement of the 20th century

Special Publication: Frank Auerbach, After Rubens's Samson and Delilah

Special Publication: Damian Hirst, Love Lost

Special Publication: Jean-Michel Basquiat, Red Skull

Special Publication: Peter Doig, Camp Forestia

Special Publication: Francis Bacon, Head with Raised Arm

Special Publication: Antony Gormley, A Case for an Angel

Special Publication: Francis Bacon, Study of Red Pope

Special Publication: Twentieth Century Masterworks from the Collection of Antoni Tàpies

RESULTS: Highest Total Realised for a Week of Post-War and Contemporary Art in Europe £179,609,000 / $235,144,681 / € 200,751,424