British and European Art: Part 1

In the field: a collectors guide to sporting art

Virtual tour: New York Classic Week

‘I think we have some of the best photographers in the world’: why London is getting a new gallery for British photography

Jessica Lack

Reclaiming lost history: 25 years of the Washington Principles on Nazi-Confiscated Art

Collecting guide: British painters who embraced Impressionism

Collecting guide: The third generation of Pre-Raphaelites

The Barbizon School: ‘They had a strong belief in painting things as they saw them’

‘We’ve tried to bring things back closer to how Lord Leighton would have known them’

Alastair Smart

‘What is really exciting is when you create a genuinely unnerving experience’: why is the macabre such a potent subject for artists?

Dame Laura Knight: the artist who declared, ‘I paint today’

Virtual tour: Classic Week at Christie’s London

Katy Hessel’s bestseller The Story of Art without Men: ‘I saw something was missing and did something about it’

Lucy Scovell

A collector’s guide to Maximalism: transforming interiors from ‘one-note’ to ‘more is more’