Jean-Etienne Liotard’s Portrait of Philibert Cramer — a masterpiece of the Enlightenment

‘They cost their weight in gold, and they are worth it’ — the drawings of Jean-Honoré Fragonard

Decoding the secrets of Casa Mollino

Alberto Zanetti

‘It’s simply mesmerising’ — a Teotihuacán stone mask owned by Pierre Matisse

10 things to know about Alexander Calder

Jessica Holmes

The Defining Gesture: Modern Masters from the Eppler Family Collection

Andy Warhol’s Sixty Last Suppers

The Last da Vinci

The Collection of Nancy Lee and Perry R. Bass

Salvator Mundi — The rediscovery of a masterpiece: Chronology, conservation, and authentication

Warhol’s radical departures: Race Riot, Ambulance Disaster and Jackie I, Jackie II and Jackie III

‘It is very definite and it is indestructible’: Spider II by Louise Bourgeois

Louise Bourgeois: An Unfolding Portrait

Rebecca Appel

The largest work in Cy Twombly’s legendary Bacchus series

Special Publications: Masterpieces and collections from our 20th century auctions

An ‘immediate radiance’: Mark Rothko’s Saffron

Virtual tour: 20th Century at Christie’s in New York

The world is watching

Leonardo’s Salvator Mundi makes auction history

The Last da Vinci

Landmark Leonardo crowns stunning $1.4 billion week

‘My highlight of 2017’ — Leonardo’s Salvator Mundi

‘Life is richer when you live it among the dreamers’

Roger Davies

‘The perfect line’: How Rembrandt made some of his greatest works

Special Publication: Avant-Garde Masterworks from a Private European Collection

Special Publication: Andy Warhol, Sixty Last Suppers

Special Publication: The Collection of Melva Bucksbaum

Special Publication: Cy Twombly, Sunset

Special Publication: Modern Masters from the Eppler Family Collection

Special Publication: Mark Rothko, Saffron, 1957

Special Publication: Louise Bourgeois, Spider II

RELEASE | The World is a Sphere: Art from the Faurschou Foundation