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AFTER JEAN BAPTISTE LEMOYNE THE ELDER (1679-1731)
BUST OF NOEL-NICHOLAS COYPEL
A PAIR OF CHINESE EXPORT PORCELAIN ‘FRENCH MARKET’ ARMORIAL WINE COOLERS
QIANLONG PERIOD, CIRCA 1770
A LARGE CHINESE EXPORT PORCELAIN FRENCH ROYAL ARMORIAL WINE COOLER
YONGZHENG PERIOD, CIRCA 1730
A LARGE CHINESE EXPORT PORCELAIN FRENCH ROYAL ARMORIAL CHARGER
YONGZHENG PERIOD, CIRCA 1730
A SMALL PORCELAIN WINE COOLER WITH THE FRENCH ROYAL ARMS
POSSIBLY CHINESE EXPORT, CIRCA 1730
A PORCELAIN WINE COOLER WITH THE FRENCH ROYAL ARMS
POSSIBLY CHINESE EXPORT, CIRCA 1730
A SMALL PORCELAIN BOWL WITH THE FRENCH ROYAL ARMS
POSSIBLY CHINESE EXPORT, CIRCA 1730
A WILLIAM AND MARY GILT-WALNUT SIDE TABLE
POSSIBLY BY JEAN PELLETIER, CIRCA 1700, FORMERLY A CABINET-STAND
JEAN-HONORÉ FRAGONARD (GRASSE 1732-1806 PARIS)
Saint Phar escaping through the window of Aline's room
JEAN-HONORÉ FRAGONARD (GRASSE 1732-1806 PARIS)
Homage to Gluck
A PAIR OF LOUIS XVI-STYLE GILTWOOD OVERDOOR PANELS
LATE 19TH/ FIRST HALF 20TH CENTURY
A PAIR OF LOUIS XV GILTWOOD FAUTEUILS
CIRCA 1760, COVERED IN SCALAMANDRE ‘LOVE BIRD’ SILK DAMASK
FRANÇOIS BOUCHER (PARIS 1703-1770)
A female nude, half-length
PIERRE-ANTOINE QUILLARD (PARIS 1704-1773 LISBON)
L’Île de Cythère (The Island of Cytherea)
NICOLAS LANCRET (PARIS 1690-1743)
La bergère endormie (The sleeping shepherdess)
MICHEL GARNIER (ST. CLOUD 1753-1819 PARIS)
Ils sont D'accord (They are in agreement)
NICOLAS LANCRET (PARIS 1690-1743)
The Four Seasons
A PAIR OF FRENCH ORMOLU CHENETS
19TH CENTURY
A PAIR OF LOUIS XV GILTWOOD TABOURETS
CIRCA 1750, COVERED IN SCALAMANDRE ‘LOVE BIRD’ SILK DAMASK
A LATE LOUIS XV ORMOLU-MOUNTED TULIPWOOD AND PARQUETRY TABLE A ECRIRE
BY ROGER VANDERCRUSE, CALLED LACROIX, CIRCA 1765
A LATE LOUIS XV ORMOLU-MOUNTED KINGWOOD, TULIPWOOD AND MARQUETRY TABLE A ECRIRE
BY ROGER VANDERCRUSE, CALLED LACROIX, CIRCA 1765
A PAIR OF LOUIS XV ORMOLU-MOUNTED TULIPWOOD AND KINGWOOD ENCOIGNURES
BY ADRIEN FAIZELOT-DELORME, CIRCA 1750
A PAIR OF LOUIS XV GILTWOOD CHAISES
BY FELIX LEROY, CIRCA 1745, COVERED IN SCALAMANDRE ‘LOVE BIRD’ SILK DAMASK
A PAIR OF LOUIS XV ORMOLU THREE-BRANCH CANDELABRA
IN THE MANNER OF JUSTE-AURELE MEISSONNIER, CIRCA 1745-1749
A ROYAL LOUIS XVI GILTWOOD PLIANT
ATTRIBUTED TO JEAN-BAPTISTE-CLAUDE SENE, THE CARVING BY NICOLAS FRANÇOIS VALLOIS, THE GILDING EXECUTED BY LOUIS-FRANÇOIS CHATARD & CHAUDRON, 1786
FRANÇOIS-HUBERT DROUAIS (PARIS 1727-1775)
Portrait of Bernard Marie Joseph Pierre Dufort, Comte de Cheverny (1757-1799), half-length, in a red and gold coat
ALEXANDER ROSLIN (MALMÖ 1718-1793 PARIS)
Portrait of Abel-François Poisson (1727-1781), Marquis de Marigny, three-quarter-length, in a red suit
MAURICE-QUENTIN DE LA TOUR (SAINT-QUENTIN 1704-1788)
Portrait of Charles-Louis-Auguste Fouquet, le Maréchal and Duc de Belle-Isle, half-length; and Portrait of Marie-Casimire-Thérèse -Genevi è ve-Emmanuelle de B é thune, la Maréchale de Belle-Isle, half-length
JEAN-MARC NATTIER (PARIS 1685-1766)
Portrait of Marie Thérèse Marsollier, Marquise de Chamilly (c. 1735-1784), half-length, in a blue-gray dress
ALEXANDER ROSLIN (MALMÖ 1718-1793 PARIS)
Portrait of the architect Jean-Rodolphe Perronet (1708-1794) and his wife, seated at a table with architectural models, a sketch
STUDIO OF JEAN-MARC NATTIER (PARIS 1685-1766)
Portrait of Charlotta Sparre (1719-1793), later Countess von Fresen, half-length, in a leopard skin cloak
CIRCLE OF ALEXANDRE-FRANÇOIS DESPORTES (Champigneulles 1661-1743 Paris)
Le chasseur de perdreau (The partridge hunter)
JEAN-JACQUES LAGRENÉE (PARIS 1739-1821)
Hebe pouring nectar for Jupiter, a sketch
A PAIR OF EARLY LOUIS XV ORMOLU THREE-BRANCH WALL-LIGHTS
ATTRIBUTED TO JACQUES CAFFIERI, CIRCA 1735-1740
A LOUIS XV ORMOLU-MOUNTED CHINESE CELADON PORCELAIN VASE
THE PORCELAIN QIANLONG PERIOD (1736-1795), THE ORMOLU MOUNTS CIRCA 1750
A PAIR OF LOUIS XV ORMOLU-MOUNTED CHINESE CELADON PORCELAIN EWERS
ALMOST CERTAINLY SUPPLIED BY LAZARE DUVAUX, THE PORCELAIN QIANLONG PERIOD (1735-1795), THE MOUNTS CIRCA 1750-1755
A PAIR OF LOUIS XIV ORMOLU-MOUNTED CHINESE CELADON PORCELAIN POTS-POURRIS
THE ORMOLU CIRCA 1710, THE PORCELAIN MING DYNASTY (1368-1644)
A LOUIS XV ORMOLU CHINOISERIE CARTEL CLOCK
THE MOVEMENT BY CHARLES VOISIN, CIRCA 1750, THE DIAL RESURFACED
A FRENCH ORMOLU-MOUNTED TULIPWOOD AND AMARANTH COMMODE
BY HIPPOLYTE-EDME PRETOT, MID-19TH CENTURY, REMOUNTED AND LARGELY REVENEERED
A RARE AND IMPORTANT LOUIS XIII SAVONNERIE CARPET
PROBABLY CHAILLOT WORKSHOP, CIRCA 1640-1650
A VINCENNES PORCELAIN GILT WHITE ECUELLE, COVER AND STAND (ECUELLE ‘RONDE’ ET PLATEAU ‘ROND’, 2EME GRANDEUR) MADE TO CELEBRATE THE BIRTH OF A ROYAL GRANDSON
CIRCA 1752-1753, BLUE INTERLACED L'S SURMOUNTED BY A DUCAL CROWN AND ENCLOSING A FLEUR-DE-LYS TO BOWL AND STAND, DESIGNED BY JEAN-CLAUDE DUPLESSIS
A PAIR OF SEVRES PORCELAIN BLEU LAPIS WINE GLASS COOLERS (SEAUX ‘A LIQUEUR ROND’)
CIRCA 1761, BLUE INTERLACED L'S ENCLOSING DATE LETTER H ABOVE THE PAINTER’S MARK FOR F.-J. ALONCLE TO EACH, ONE INCISED ND
TWO SEVRES PORCELAIN GLASS COOLERS (SEAUX ‘CRENELES’)
1759 and 1761, BLUE INTERLACED L'S MARKS TO BOTH, ONE WITH DATE LETTER F, PAINTER’S MARK FOR VAVASSEUR BELOW, INCISED LOWERCASE CN; THE OTHER WITH DATE LETTER H, AS YET UNIDENTIFIED PAINTERS MARK OF AN ERMINE BELOW, INCISED SCRIPT B . P AND A QUARTERED LOZENGE
A PAIR OF SEVRES HARD-PASTE PORCELAIN LARGE BOTTLE COOLERS (SEAUX ‘ORDINAIRE’, 1ERE GRANDEUR)
CIRCA 1780, CROWNED INTERLACED L'S MARKS
A ROYAL SEVRES PORCELAIN GLASS COOLER FROM THE SERVICE 'A PERLES ET BARBEAUX' (SEAU A VERRE)
1781, BLUE INTERLACED L'S ENCLOSING DATE LETTERS DD, PAINTER’S MARK FOR NOEL
SEVRES PORCELAIN CARMINE-GROUND GLASS COOLER (SEAU A VERRE A DRAPERIE)
CIRCA 1770, GILT INTERLACED L'S ABOVE SCRIPT LG MARK FOR E.-H. LE GUAY
A LOUIS XVI ORMOLU-MOUNTED KINGWOOD, TULIPWOOD AND MARQUETRY TABLE A ECRIRE
BY NICOLAS PETIT, CIRCA 1775
A PAIR OF LOUIS XVI ORMOLU-MOUNTED GREY BARDIGLIO MARBLE PORTRAIT MEDALLIONS
POSSIBLY AUSTRIAN, CIRCA 1792