The Property of a Descendant of JOHN LLOYD WYNNE of Coed Coch (Lots 211 to 234)
A GEORGE III MAHOGANY QUARTER CHIMING LONGCASE CLOCK

RALPH EDEN, LIVERPOOL

Details
A GEORGE III MAHOGANY QUARTER CHIMING LONGCASE CLOCK
Ralph Eden, Liverpool
The break-arch dial signed RAH: EDEN LIVERPOOL on a silvered sector in the trellis-engraved centre with subsidiary seconds enclosed within a silvered chaptering with annular calendar ring and pierced blued steel hands, foliate gilt spandrels, painted rolling moonphase in the arch, the five pillar three-train rack-striking movement with anchor escapement, hour striking on one bell and quarter chiming on two further bells, the case on bracket feet with later extended base to the plinth fronted by a raised panel with hollowed corners, foliate gilt-metal escutcheon to the trunk door flanked by reeded quarter columns, the hood with detatched reeded columns supporting a swan-neck pediment with carved giltwood rosette terminal, one lacking, verre eglomisé frieze and surmounted by two urn finials
7ft. 7in. (233cm.) high
Provenance
John Lloyd Wynne (d. 1862) of Coed Coch, Denbighshire
Thence by descent

Lot Essay

Ralph Eden is recorded as working between 1773-93.
The case door and the hollow-cornered panel fronting its canted pedestal are veneered from the same panel of finely-figured mahogany. The quarter-columns flanking the door correspond to the fluted Tuscan 'pillars' of the arched hood, whose scrolled pediment is enriched with 'roses' and surmounted by 'vase' finials. While corresponding to Liverpool-manufactured cases, it also relates to the 'handsome mahogany clock cases with scrolled pediments' executed by Gillows of London and Lancaster, and is likely to date from around 1780. A sketch for a similar case, but lacking a hollow in the arched door, appears in Gillow's manufacturing cost-book (Estimate Sketch Book) dated 27 October 1787, and evolved from a sketch pattern of 1760 attributed to Richard Gillow (see S. Stuart, 'A Neat Clockcase Ornamented', Antiquarian Horology, December 1984, p. 130, fig. 3). The black glass spandrels enriched with 'gilt sprigs' are likely to have been supplied from London. A similar clock-case, now at Abbot Hall, Kendal, contains a movement by Peter Hathornthwaite of Kirkby Lonsdale (see A. Woodward, 'Abbot Hall, Kendal,' Country Life, 9 September 1993, p. 64, fig. 2).

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