Orange and Glass
Details
Claes Oldenburg (b. 1929)
Orange and Glass
initialed and dated 'C.O. 1961' on the reverse
muslin soaked in plaster over wire frame, painted with enamel
16 1/4 x 14 x 5¾in. (41.3 x 35.5 x 14.6cm.)
This work was originally titled Orange Juice.
Orange and Glass
initialed and dated 'C.O. 1961' on the reverse
muslin soaked in plaster over wire frame, painted with enamel
16 1/4 x 14 x 5¾in. (41.3 x 35.5 x 14.6cm.)
This work was originally titled Orange Juice.
Provenance
Martha Jackson Gallery, New York.
Literature
C. Oldenburg, Store Days: Documents from The Store (1961) and Ray Gun Theater (1962), New York 1967, p. 31.
Exhibited
New York, Martha Jackson Gallery, Environments, Situations, Spaces, May-June 1961.
New York, Ray Gun Mfg. Co., The Store, Dec. 1961-Jan. 1962, no. 28. The Dallas Museum for Contemporary Arts, 1961, Apr.-May 1962.
College Park, University of Maryland Art Gallery; New York, The Finch College Museum of Art, and Buffalo, Albright-Knox Art Gallery, The Private Collection of Martha Jackson, June 1973-Feb. 1974, no. 101.
West Nyack, The Rockland Center for the Arts and Rockland Community College, and Albany, University Art Gallery, Works From The Martha Jackson Gallery Collection, Nov. 1974-Mar. 1975, no. 47 (illustrated).
Cologne, Museen der Stadt Köln, Westkunst: Zeitgenoissische Kunst seit 1939, May-Aug. 1981, p. 453, no. 646 (illustrated).
New York, Whitney Museum of American Art, The Making of a New Aesthetic: The American Avant Garde, 1958-1964, Sept. 1983-Feb. 1984.
New York, Whitney Museum of American Art, BLAM! The Explosion of Pop, Minimalism and Performance 1958-1964, Sept.-Dec. 1984.
Buffalo, Anderson Gallery, Selections from the Collection, Part I, Oct.-Nov. 1991, no. 33.
Scottsdale Center for the Arts; New York, Equitable Gallery; Houston, Contemporary Arts Museum; Medford, Tufts University Art Gallery, and Miami, Florida International University Art Museum, Neo-Dada Redefining Art 1958-1962, Nov. 1994-Mar. 1996 p. 122, no. 60 (illustrated).
New York, Ray Gun Mfg. Co., The Store, Dec. 1961-Jan. 1962, no. 28. The Dallas Museum for Contemporary Arts, 1961, Apr.-May 1962.
College Park, University of Maryland Art Gallery; New York, The Finch College Museum of Art, and Buffalo, Albright-Knox Art Gallery, The Private Collection of Martha Jackson, June 1973-Feb. 1974, no. 101.
West Nyack, The Rockland Center for the Arts and Rockland Community College, and Albany, University Art Gallery, Works From The Martha Jackson Gallery Collection, Nov. 1974-Mar. 1975, no. 47 (illustrated).
Cologne, Museen der Stadt Köln, Westkunst: Zeitgenoissische Kunst seit 1939, May-Aug. 1981, p. 453, no. 646 (illustrated).
New York, Whitney Museum of American Art, The Making of a New Aesthetic: The American Avant Garde, 1958-1964, Sept. 1983-Feb. 1984.
New York, Whitney Museum of American Art, BLAM! The Explosion of Pop, Minimalism and Performance 1958-1964, Sept.-Dec. 1984.
Buffalo, Anderson Gallery, Selections from the Collection, Part I, Oct.-Nov. 1991, no. 33.
Scottsdale Center for the Arts; New York, Equitable Gallery; Houston, Contemporary Arts Museum; Medford, Tufts University Art Gallery, and Miami, Florida International University Art Museum, Neo-Dada Redefining Art 1958-1962, Nov. 1994-Mar. 1996 p. 122, no. 60 (illustrated).