Lot Essay
The source for this design was a Roman marble urn in the celebrated antique sculpture collection of the 1st Marquess of Lansdowne, identified by David Udy in "Piranesi's Vasi, the English Silversmith and his Patrons," Burlington Magazine, December 1978, p. 837, figs. 55-57. Unlike the Warwick Vase, which had been popularised by Piranesi's engravings of the 18th century, the Lansdowne Urn was apparently reproduced directly in silver before it was eventually engraved by John Duit around 1813. The design in silver is attributed to sculptor John Flaxman, who used a variation of the urn in his tomb monument for Thomas Burrell in 1796 (Joseph R. Bliss, The Jerome and Rita Gans Collection of English Silver, n.d., p.134). Flaxman became Rundell's most important designer around the time the firm became Royal Goldsmiths in 1804. In this period, Scott and Smith ran Rundell's workshop, executing the designs and models supplied by the firm in silver and silver-gilt.
A set of eight vases of this design made for George IV as Prince of Wales in 1809 is in the Royal Collection, illustrated in E. Alfred Jones, The Gold and Silver of Windsor Castle, 1911, pl. LXXXIII. A set of four of 1805 from the collection of Earl Howe was sold at Christie's, London, July 1, 1953, lot 111. A set of four of 1816/1817 is in the Gans Collection at the Virginia Museum.
Another pair of vases of this design, by Benjamin Smith and dated 1812, sold at Christie's, Melbourne, July 22, 1997, lot 468.
A set of eight vases of this design made for George IV as Prince of Wales in 1809 is in the Royal Collection, illustrated in E. Alfred Jones, The Gold and Silver of Windsor Castle, 1911, pl. LXXXIII. A set of four of 1805 from the collection of Earl Howe was sold at Christie's, London, July 1, 1953, lot 111. A set of four of 1816/1817 is in the Gans Collection at the Virginia Museum.
Another pair of vases of this design, by Benjamin Smith and dated 1812, sold at Christie's, Melbourne, July 22, 1997, lot 468.