Other impressions are the in Allen Memorial Art Museum, Oberlin, Ohio (see Roger Keyes, Japanese Woodblock Prints: A catalogue of the Mary A. Ainsworth Collection [Oberlin: Oberlin College, 1984], no. 103); Art Institute of Chicago (see Helen C. Gunsaulus, Harunobu, Koryusai, Shigemasa, their Followers and Contemporaries, in The Clarence Buckingham Collection of Japanese Prints [Chicago: The Art Institute, 1965], no. 80); Museum of Fine Arts, Boston (see David B. Waterhouse, Bosuton bijutsukan/Museum of Fine Arts, Boston, supplemental vol. 1, Harunobu I in Ukiyo-e shuka [Tokyo: Shogakukan, 1982], pl. 62); Rijksmuseum, Amsterdam (see C. van Rappard-Boon, gen. ed., The Age of Harunobu: early Japanese Prints c. 1700-1780, vol. 1 of Catalogue of the Collection of Japanese Prints [Amsterdam: Rijksprentenkabinet/Rijksmuseum, 1977], no. 42); and elsewhere (see Harunobu, Botsugo nihyakunen ten/Harunobu, exhibition commemorating 200th anniversary of his death, exh. cat. [Tokyo: Tokyo National Museum, 1970], nos. 215 and 227; and Yoshida Teruji, Harunobu zenshu [Tokyo: Takamizawa Mokuhansha, 1942], no. 396).