The Ogilvy of Inshewan 'Amen' glass
The Ogilvy of Inshewan 'Amen' glass

CIRCA 1745

Details
The Ogilvy of Inshewan 'Amen' glass
Circa 1745
The airtwist wine-glass of drawn-trumpet form, the stem filled with spiral threads, the bowl engraved in diamond point with the Crown, JR cipher suspending a figure of 8 above the word Amen, and with the first two verses of the Jacobite anthem:

God save the King I pray
God Blifs the King I pray
God Save The King
Send him victorious,
Soon to reign Over Us
God Save The King

God Blifs The Prince of Wales,
The true born Prince of Wales,
Sent Us by Thee
Grant Us one favour more
The King for to restore
As Thou hast done before
The Familie


and the inscription Prince Henry Duke of York & Albany, all within calligraphic scroll panels, the conical foot with a hand with the index finger pointing to the third verse of the Jacobite anthem:

God Blifs the Church I pray,
And Save the Church I pray
Pure to remain
Against all heresy
And Whigs Hypocrisy
Who strive maliciously
Her to defame


and concluding God Blifs all Loyall Subjects Amen (small chip to footrim)
6.5/8 in. (17 cm.) high
Provenance
John Ogilvy of Inshewan, Forfar, Angus, sale Sotheby's, 27th June 1924, lot 39.
Literature
Geoffrey B. Seddon, op. cit.(1995), p. 197, no. (8).
R. J. Charleston and Geoffrey B. Seddon, 'Amen Glasses', The Glass Circle, No. 5, p. 12, no. 27.

Lot Essay

For a detailed discussion on the 'Amen' group of Jacobite glasses see Geoffrey B. Seddon, op. cit.(1995), pp. 185-229 where he has observed that the quality of the engraving on the three earliest dated glasses, the Steuart '1743', the Haddington '1745' and the Dunvegan '1747' is only of fair quality on the bowls whilst the engraving of the inscriptions to the feet of both the Steuart and the Dunvegan appears far more competent. The same observations may also be applied to the present glass, and while the crown and cypher appear here to be quite heavily engraved the lettering seems to have been engraved with a lighter more hesitant touch, most particularly on the curved bowl where the calligrapher finds himself not only making mistakes with the letters but also misjudging the spaces available. On the foot the flow of the writing is apparent and uninhibited, although mediocre in areas such as when he writes 'God Blifs all Loyall Subjects' he writes across the end of the line above, indicating that if not perhaps entirely confident in his medium his Jacobite convictions are sincere. This uncertainty with the use of the diamond and the similarities in the execution of the decoration on the present glass with those aforementioned dated examples might suggest that this is perhaps one of the earliest 'Amen' glasses or even, as suggested by Dr. Seddon, possibly the precursor to all the others.

John Ogilvy of Inshewan was descended from a family closely associated with the Jacobite cause. Royalists during the Civil Wars, the Ogilvys took up the cause of Prince Charles and were engaged actively in the Jacobite Uprisings of 1715 and 1745; David, 5th Lord Ogilvy and son of the 4th Earl of Airlie being attainted and having to flee to France.

We are indebted to Dr. Geoffrey Seddon for his generous contribution to this catalogue entry.

Four other 'Amen' glasses have been sold in these Rooms in recent years: the Burn Murdoch, sale 4th June 1980, lot 153; Breadalbane I, sale 25th November 1986, lot 123; Breadalbane II, sale 16th October 1990, lot 148, and the Ker, sale 2nd November 1998, lot 1.

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