A VERY RARE MASSIVE CARVED FAMILLE ROSE REVOLVING VASE
A VERY RARE MASSIVE CARVED FAMILLE ROSE REVOLVING VASE

QIANLONG FOUR-CHARACTER SEAL MARK AND OF THE PERIOD

Details
A VERY RARE MASSIVE CARVED FAMILLE ROSE REVOLVING VASE
qianlong four-character seal mark and of the period
Intricately carved and pierced around the outer wall with a continuous rocky landscape containing a variety of leafy and blossoming trees below swirling clouds and a single soaring multi-coloured phoenix, the pierced surface revealing the revolving cylindrical interior exquisitely enamelled with a waterside landscape with auspicious birds, including geese, cranes, blackbirds, orioles, pheasants, peacocks, herons, swallows, pigeons and mandarin ducks, the shoulder with a narrow yellow-ground band of leafy floral scrolls, below a wider band of scrolling stylised peonies reserved on a ruby-red sgraffiato ground rising to the revolving neck with a similar band containing gilt qing musical stones with suspended tassels and two archaistic dragon handles, below a pale green honey-comb-ground cloud collar with iron-red bats, the mouth rim with a band of scrolling flowers on a yellow ground between gilt borders, the base with floral scrolls on a ruby-red sgraffiato ground, above a narrow key-pattern band and a yellow-ground floral border at the foot, the interior and the underside of the base enamelled in pale turquoise, crack at base stabilised, small loss to base of handles
24 in. (63 cm.) high
Provenance
Believed to have been acquired in circa 1875 by a member of a prominent Scottish family, who is known to have travelled widely in the Far East during the latter part of the 19th Century, and thence by descent.

Lot Essay

This vase is a supreme example of the technical ingenuity and skill of the craftsmen at Jingdezhen during the reign of Qianlong. During the early years of the Emperor's reign, revolving vases of varying form, size and decoration were created at the Imperial porcelain factory; many of the craftsmen devoted their skills to enhancing the vases still further by adding intricate openwork outer walls and exquisitely enamelled inner walls, combined with a revolving upper section, such as can be found on the vase in the present lot.

Revolving vases with double walls as large as this vase are extremely rare, and the design of a continuous rocky landscape on the pierced outer wall appears to be unrecorded; more common designs include dragons, floral and geometric motifs. A revolving vase of similar shape and height, but with clouds and bats on the outer wall and pavilions on the inner wall is in the National Palace Museum, Taipei, ilustrated Kangxi Yongzheng Qianlong, Qing Porcelain from the Palace Museum Collection, 1989, colour pl.113, pl.431; several other smaller examples of revolving vessels are also illustrated, ibid., colour pls. 112, 114 - 122, and 123 for an example without double walls. Another revolving vase of similar height with cover and reticulated roundels on the body is in the Nanjing Museum, included in the Catalogue (but not exhibited), Qing Imperial Porcelain of the Kangxi, Yongzheng and Qianlong Reigns, Nanjing Museum and the Art Gallery, Chinese University of Hong Kong, no.98. Another, smaller but of similar form, is in the Tokyo National Museum, included in the Special Exhibition, Jixiang: Auspicious Motifs in Chinese Art, 1998, Catalogue, no.247

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