A LATE LOUIS XVI ORMOLU AND WHITE MARBLE LYRE-SHAPED MANTEL CLOCK
A LATE LOUIS XVI ORMOLU AND WHITE MARBLE LYRE-SHAPED MANTEL CLOCK

LATE 18TH EARLY 19TH CENTURY

Details
A LATE LOUIS XVI ORMOLU AND WHITE MARBLE LYRE-SHAPED MANTEL CLOCK
Late 18th early 19th Century
The circular enamelled dial with Roman and Arabic chapters and a moonphase before a sun-ray pendulum, the movement inscribed to the reverse 'LEPAUTE A PARIS', in a pearled lyre-shaped frame with fruiting laurels, the top with an Apollo's mask and drapery, on an oval waisted base with pearled bands and hung with chains, the panelled plinth with fruiting oak-leaf bands, the escapement altered
22 in. (57 cm.) high

Lot Essay

The origin of the lyre-shaped clock goes back to the 1725s with a lyre-shaped cartel signed Thuret. The model gained immensly in popularity during the Louis XVI period and was executed in various simplified versions. One of the early versions of this model, with the dial signed Julien Le Roy, and datable to circa 1760-70 was delivered to Gustav III by the Swedish ambassador in France, Count Creutz, and is now in the Royal Swedish collections.

Various bronziers such as Vion, Thomire pre, and clockmakers such as Cousin, Harel and Sarton have manufactured this type of pendules. Various versions of lyre-shaped clocks are illustrated in H. Ottomeyer, P. Prschel, et.al., Vergoldete Bronzen, Munich, 1986, p. 252, figs. 4.6.24, 4.6.25. 4.6.26. An unattributed drawing of 1780 of such a clock is further illustrated in Ottomeyer, op. cit., fig. 4.6.27.

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