Lot Essay
COMPARATIVE LITERATURE:
P. Verdier, Catalogue of the Painted Enamels of the Renaissance, The Walters Art Gallery, Baltimore, 1967, no. 30, pp. 55-56, no. 31, pp. 56-60
The painting is more generalized, the palette of colors is more muddy and there is less internal modelling of the drapery, than there is in a rendering of the subject by the Master of the Triptych of Louis XII in the Walters Art Gallery, Baltimore (no. 31). The handling is related to a plaque of the crowning with thorns in the same collection (no. 30).
P. Verdier, Catalogue of the Painted Enamels of the Renaissance, The Walters Art Gallery, Baltimore, 1967, no. 30, pp. 55-56, no. 31, pp. 56-60
The painting is more generalized, the palette of colors is more muddy and there is less internal modelling of the drapery, than there is in a rendering of the subject by the Master of the Triptych of Louis XII in the Walters Art Gallery, Baltimore (no. 31). The handling is related to a plaque of the crowning with thorns in the same collection (no. 30).