THE PROPERTY OF A NEW YORK COLLECTOR
A QUEEN ANNE BLUE AND GOLD JAPANNED BUREAU-CABINET

Details
A QUEEN ANNE BLUE AND GOLD JAPANNED BUREAU-CABINET

The double-domed cresting above a pair of doors with bevelled mirror insets and starburst design opening to an interior with pigeonholes, folio slides, small drawers and a central concaved cabinet, over a pair of candleslides, the slant lid enclosing a similarly fitted interior, above two short and two long drawers, on bun feet, decorated throughout with exotic beasts, Chinese figures, pavilions in landscapes, and flowers, bearing a paper label inscribed '4929 the Blue lacquer Cabinet from the Schrager Collection' (restoration to decoration)-85½in. (217cm.) high, 41in. (104cm.) wide, 23in. (59cm.) deep
Provenance
Possibly T.E. Southeron-Escort Esq., Estcourt, Gloucestershire, sold Christie's, 12 February 1920, lot 70 (60 gns. to Kent Gallery)
Sold to Adolphe Shrager by Basil Dighton Ltd. for £850 in 1920 The Adolphe Shrager Collection, sold Puttick & Simpson, London, 2 May 1924, lot 77, (£400 to Moss Harris)
Purchased by 1st Viscount Leverhulme for Cedar Lawn from M. Harris & Sons immediately after the sale

Lot Essay

This blue lacquer cabinet was the subject of a large scale lawsuit in 1923. Adolphe Shrager had purchased L111,193 in antiques from the dealer Basil Dighton Ltd. to furnish a new house. He later sued Dighton for fradulent misrepresentation claiming that the furniture which had been sold to him as genuine was, in fact, 'altered and made up and spurious'. Percy Macquoid and Sir Charles Allom of White Allom were called in to defend Dighton, and Herbert Cescinsky appeared as a witness on behalf of Mr. Shrager. In the case of the 'blue lac' cabinet, the court found favor with Dighton and it was accepted as a 'perfectly genuine article'. In the transcripts of the case, the prosecutors claimed that the blue lacquer cabinet was the same as a black and gold cabinet sold by Christie's in the Estcourt sale of 12 February 1920, and that a blackened varnish was removed to reveal the blue color beneath. The buyer of record for that sale was another dealer, Kent Gallery, who may have purchased this in partnership with Dighton, altough this cannot be confirmed. When the cabinet was later sold from the Shrager collection, Moss Harris claimed that he 'knew (the cabinet) before its restoration and can vouch for its genuinesness'.

We are grateful to Lucy Wood of the Lady Lever Art Gallery for her assistance in preparing this catalgoue entry.