CAPTAIN ALLAN N. SCOTT, Edited by C.R. WELD
CAPTAIN ALLAN N. SCOTT, Edited by C.R. WELD

Sketches in India, London: Lovell, Reeve & Co., [1862]

Details
CAPTAIN ALLAN N. SCOTT, Edited by C.R. WELD
Sketches in India, London: Lovell, Reeve & Co., [1862]
'a series of One Hundred Photographic Vignettes illustrative of the Scenery and Antiquities of Golconda, of English Life, and of Native Character, taken at Hyderabad and Secunderabad'
With 100 half-stereo arched-top albumen prints, each approx. 2.7/8 x 2.7/8 in., mounted one-per-page within platemark, (plate LXVIII 'A Brahmin Beggar' duplicated, replacing that for 'Wrestlers' plate XCI), descriptive text, this occasionally annotated in pencil with additional identification of sitters or subjects, (one page cut with part text removed), contents, preface by C.R. Weld, half-title, clipped newsprint advertisement for the book applied to front free end, dated in pencil 1862, former owner's name inscribed in ink inside front cover with later bookseller's printed label, original green cloth, gilt, titled and with publisher's and photographer's credits on spine (disbound).
Literature
Stuhlman, Rachel, Recent Acquisition Sketching India: The 'Inqusitive Bright-Eyed Camera' of Captain Scott in Image, Volume 38 Nos. 1-2, pp. 40-49 and back cover illustration, Rochester, NY: George Eastman House, 1995.

Lot Essay

Captain Scott, Madras Artillery, exhibited his photographs at the London International Exhibition, 1862. Rachel Stuhlman, in her detailed study of this work, writes 'This book is a virtual compendium of life in southern India under the Raj, as seen from the British point of view ... It begins with the physical setting: a series of 'sketches' of the monumental tombs and temples of Golconda ... and then landscape views and architectural subjects both modern and historic, Western and native. There is a particular fascination with trees, which in dry and dusty India must have had a powerful effect on foreigners brought up in a more verdant land ... The book's main interest lies in its depiction of the life of the British officer class, its thorough documentation of workers serving British interests, especially in the ranks of the army and in domestic service, and its views of traditional Indian life, occupations, and festivals ... Over half of the book is devoted to "sketches of native character" ... These sketches range from formal portraits of powerful nobles to studies of the menial occupations performed by the Pariah caste.'

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