A FOUR-CASE INRO
A FOUR-CASE INRO

SIGNED SHIOMI MASANARI, EDO PERIOD (LATE 18TH/EARLY 19TH CENTURY)

Details
A FOUR-CASE INRO
Signed Shiomi Masanari, Edo Period (Late 18th/Early 19th Century)
With black lacquer ground; decoration in gold, silver and polychrome togidashi- e; details in gold hiramaki-e, gold powder and hirame; compartments and risers nashiji; shoulders and rims gold lacquer; signed at the side in seal form in red lacquer Shiomi Masanari; lacquered wood ojime; wood netsuke in the form of a helmet with details in shell

Hatakeyama Shigetada, emerging from behind a curtain, recognises Taira no Kagekiyo (on the reverse) as he sets off to murder Minamoto no Yoritomo
3.3/8in. (8.4cm.) long
Provenance
Alexander G. Mosl Collection
Charles A. Greenfield Collection
Literature
Eskenazi Limited, The Charles A. Greenfield Collection of Japanese Lacquer (London, 1990), cat. no. 114
Knigliches Kunstgewerbe Museum, Ausstellung Japanische Kunstwerke Sammlung Mosl (Berlin, 1909), no. 1726
Andrew J. Pekarik, Japanese Lacquer, 1600-1900: Selections from the Charles A. Greenfield Collection (New York, 1980), cat. no. 114, fig. 125
E. A. Seemann, The Mosl Collection: Descriptive Catalogue (Leipzig, 1914), vol. II, no. 1726, pl. CXIII
Harold P. Stern, The Magnificent Three: Lacquer, Netsuke and Tsuba (New York, 1972), no. 97 (inro)
Exhibited
Berlin, 1909, Knigliches Kunstgewerbe Museum
New York, 1972, Japan House Gallery
New York, 1980, Metropolitan Museum of Art
Sale room notice
This inro was exhibited in the Red Cross Exhibtion in 1915 (number 34).

Lot Essay

In historical reality Taira no Kagekiyo was captured during the Minamoto clan's triumph over the Taira at the battle of Dannoura (1185) and later, in 1196, starved himself to death at the new capital, Kamakura, but a whole body of legend grew up concerning his captivity and his efforts to assassinate the Minamoto leader Yoritomo. At the thirty-seventh attempt, the story goes, he was prevented by Yoritomo's retainer Hatakeyama Shigetada (1164-1205) and went into hiding. After a series of adventures he was saved thanks to the intervention of Kannon, Goddess of Mercy, and awarded a domain by his old enemy. Realising that he must abandon his vendetta, Kagekiyo tore out his eyes so as to avoid witnessing Yoritomo's triumph but his sight was restored to him when he visited the Kiyomizu temple on his way into exile1.

1 Osumi Kazuo et. al. (ed.), Nihon kaku densho jinmei jiten [Dictionary of Imaginary and Traditional Personalities] (Tokyo, 1986), p. 145.

For a similar example see, Edward F. Strange, Catalogue of Japanese Lacquer [in the Victoria and Albert Museum] (London, 1925), pl. XXIII, no. 1453.

More from Netsuke & Lacquer from the Japanese Department of Eskenazi

View All
View All