Lot Essay
These boldly carved chairs incorporate classical carved elements of shells, husk-festoons, fluting and paterae within a frame related to patterns for chairs in the French taste, such as those introduced by Thomas Chippendale in The Gentleman and Cabinet-Maker's Director, 1752-1763. While no attributable designs for these chairs have been discovered, they are virtually identical to a set of eight hall chairs bearing the Percy crest of Hugh Smythson, 1st Duke of Northumberland and illustrated in Syon House, Middlesex, in H. Avray Tipping, English Homes, London, 1924, p. 145, plate j. Additionally, five armchairs of this pattern were illustrated by Edwards and Sons, Regent St., in The Connoisseur, February 1930.